Tag Archives: novel

NEW #AUTHORS, NEW BOOKS TO READ!

This week I have read two books that are well out of the stream of ordinary. These #authors have both approached their subjects with a great deal of thought and craft.

Elizabeth Garcia’s The Reluctant Cowboy addressed some tough issues–such as violence, rape, gender identity, and love– but not with an in-your-face approach. She wove a story that pulled me in, made me feel a connection to young Jed, and consequently, to the pain and confusion he faced. I won’t say how it ended, but I will say I recommend reading it.

Chantal Bellehumeur’s, Just Another Common Killer. Not being a Ripperologist, nor really a fan of horror, still the book intrigued me and I didn’t put it down until I had finished it.  It was written in a reportorial style that added to the feeling of reality. Quite interesting, it kept me thinking even after I turned the last page.

To read more reviews on these books go to Goodreads: http://www.goodreads.com

Both books are available on Amazon.

MEET OFFICER DRISCOLL MULDER, SPECIAL CRIMES TEAM

MEET OFFICER DRISCOLL MULDER, SPECIAL CRIMES TEAM

Interviewer:  I am so glad you could make this #interview, Officer Mulder.

Officer Driscoll Mulder:  Yeah, well, the Lieutenant said we should play nice with you.  (Folds his arms over his chest)

Interviewer:  Well… (interviewer  gives a small frown) Does that mean you would prefer not to be here?

Officer Driscoll Mulder: (Gives a big shrug) It’s okay. So what do you want to ask me?

Interviewer:  What do you want me to ask you?

Officer Driscoll Mulder: (Purses lips) You’d make a good cop. Answer a question with a question. (Gives another shrug) It’s your show.

Interviewer:  Okay. Why did you join the #Special #Crimes #Team?

Officer Driscoll Mulder:  (Brows shoot up to his hairline) You go right to the meat, huh? All right. ( He sits up straight and locks his eyes on the interviewer) I joined them because I’m #gay. (He leans against the back of the chair, his eyes never leaving the interviewer’s face.)

(Interviewer raises a brow) Why would being #gay be the deciding factor on whether you joined the team, or not?

Officer Driscoll Mulder: (Purses lips and makes a sucking sound between teeth as he watches interviewer) There are still neanderthals who believe that being a cop means being a ‘man’s man’ (He makes air quote marks with his fingers) and to them being gay makes me less than a man. Oh, I could’ve hid in the closet, kept my mouth shut and blended, but that isn’t me. I march in the Pride Parade, I speak up in the locker room when someone thinks some of their heterosexist jokes are oh so funny. Doesn’t make me popular.

(Interviewer gives a small head shake) Being on the Special Crimes Team is better?

Officer Driscoll Mulder:  (He slouches in his chair, stretches his legs out in front of him) Don’t know yet. Just got there. Can’t be any worse than where I was.

Interviewer:  If being a #cop is so difficult, why do it? Why not go into some other line of work?

Officer Driscoll Mulder:  (A weariness settles on his young face) Being a cop is difficult, and dangerous. Between the bigots on the street who would love to shoot a gay cop for being gay, and the bigots in the force who wouldn’t mind turning a blind eye to that kind of shooting, being a gay cop is even more dangerous, but if not me, then who? If I don’t push forward, there will be no trail for any other LGBT person to follow.

And those queer kids out there, the ones who hate cops, well maybe they can relate a little better to a queer cop. At least, it lets them know there is someone who might understand. Do you have any idea how many of the street #kids are LGBT–lesbian, gay, bisexual and transgender?  The last stat I read said that 50 percent of the street kids are there because they are #LGBT. Many of them are thrown out of their houses, or they run from parental violence. That’s one of the reasons why I’m an out, gay cop.

If that means I transfer into what other #cops see as the Siberia of law enforcement…. (He gives a one-shouldered shrug) then that’s where I’ll go.  No bigot is going to stop me from representing my people—LGBT people—and giving a voice to them from within law enforcement. Besides, (he gives a grim smile) if I keep shining a light, maybe others will see the kinks in the system, and maybe there will be a chance to effect a change.

Interviewer: That is quite a burden, but I admire your courage. If we don’t forge a trail and create changes, then who will?

My wife and I married as soon as it became legal for lesbians to marry in Washington State.  Not only does it protect our right to be with our loved one in a medical situation, and to make those important health calls, but the inheritance law won’t penalize us as it does when two people who build something together, but can’t marry are penalized. And that is just two of the rights that heterosexual couples have enjoyed all along, but were denied to lesbian couples, to all LGBT couples.

(Interviewer smiles) One of the things I appreciate about being able to marry is letting other people realize: my choice of who I love does not take anything away from you, and it brings to the world nearly 25 years of two people living a life of commitment and love. In this world, especially today, we need all the honest, healthy love we can get.

Well, Officer Mulder, I truly do thank you for coming. For those who would like to learn more about who LGBT people really are, I suggest you visit sites such as Have a Gay Day (FB) http://www.facebook.com/MyGayDay .

(Remember: that no single site, or any number of sites, can claim to speak for “all LGBT people” just as no site, or any number of sites, can claim to speak for “all heterosexual people”.

STAY TUNED TO THIS BLOG ( http://www.ayawalksfar.com ) for all the latest and greatest news!

Sketch of a Murderebook 7 30 2014 AVAILABLE ON AMAZON: http://www.amazon.com/Sketch-Murder-Special-Crimes-Team-ebook/dp/B00KU6AIPQ

Visit author, Aya Walksfar, on Facebook:   http://www.facebook.com/ayawalksfar

Visit Aya at   http://www.pinterest.com/ayawalksfar to see photos of places important to the members of the Special Crimes Team.

MEET DETECTIVE MAIZIE O’HARA SPECIAL CRIMES TEAM

Interviewer:  This week I am privileged to interview Special Crimes Team member, Detective Maizie O’Hara.  Detective O’Hara, thank you for taking time for this interview.

Detective O’Hara: (smiles) Lieutenant Williams said it would be good for us to talk to you, so here I am.

Interviewer:  Are you a native of Seattle?

Detective O’Hara: No, ma’am. I grew up in Ellensburg, but I moved to Tacoma.

Interviewer:  Were you a detective in Tacoma?

Detective O’Hara: Yes, ma’am.

Interviewer:  What brought you to Seattle and the Special Crimes Team?

Detective O’Hara: (a cloud passes over her face) I…felt like it was in my best interest for my career.

Interviewer:  (lifts brow) Would you care to elaborate on that?

Detective O’Hara:  No, ma’am. (Her lips press tightly together)

Interviewer:  Okay. Let’s talk about something else. What do you think about having a woman as the second in command of your unit?

Detective O’Hara:  (Beams a big smile) I think it’s awesome! Don’t get me wrong, though. Lieutenant Williams is really great, too.

Interviewer:  Why did you become a police officer, Detective O’Hara?

Detective O’Hara:  (All signs of levity disappears) To help women. I want to help men, too, but I became a cop to help women.

Interviewer:  Do you think you’ve been able to do that, so far?

Detective O’Hara:  (A furrow appears between her eyes and her lips turn down at the corners) Yes, I believe I have.

Interviewer:   Then why the down look on your face?

Detective O’Hara:   (Bites her bottom lip) Well…I guess I idolized law enforcement before I became a cop, and for a while after. (takes in a deep breath and lets it out slow) But sometimes, being a cop isn’t enough. As a cop, I have to stay objective, but sometimes, I need to get involved to make sure that justice happens. It kind of…(she shrugs) It kind of wore the shine off the brass, I guess, when I figured that out.

Interviewer:  (after she is silent for a long moment, interviewer speaks) Can you tell me anything more specific about your epiphany?

Detective O’Hara:   No, ma’am.

Interviewer:  You’re a police officer and you serve all of us that way. Are there things that you do to specifically try to help women?

Detective O’Hara:   Well, I volunteer at a domestic abuse women’s shelter. I read to the kids so the women can have their support meeting. You know, so the little kids don’t interrupt and…well, women don’t always like to talk about stuff around little kids. And, I’m going on a walk in November with some women friends to show support for domestic abuse survivors. And, I have a friend with a facebook page and sometimes I post links on it that are important.

Interviewer:  Sounds like you’re pretty serious when you say you want to help women. Why don’t you have a facebook page?

Detective O’Hara:  (ducks head) I’m not very good with techie stuff. (raises her head and gives interviewer a shy smile) I have a girlfriend who’s going to teach me about doing a facebook page. We just haven’t had the time yet.

Interviewer:  I’m not great with techie stuff either. (gives a smile to Detective O’Hara) What kind of links do you post?

Detective O’Hara:  Stuff about domestic violence, and sometimes links to pages where women are doing something important to help the world and each other.

Interviewer:  If there was only one link you could recommend that people go check out, which link would that be?

Detective O’Hara:  (catches lip with teeth and worries at it)  Well…there’s a blog called upworthy.com and they posted this link to a site where these women in Amsterdam do this really powerful dance performance. They’re in the Red Light District over there and they’re dancing in the windows of this building, like an apartment building and there’s all these men gathering on the street to watch them dance because….(a flush reddens her cheeks), because it’s really very sensual. You know?

Interviewer nods

Detective O’Hara;  Anyway, after the dance is over a big sign up on the top of the building flashes and says: “every year thousands of women are promised a dance career in Western Europe. Sadly, they end up here.”  Then it flashes “Stop the traffick. People shouldn’t be bought and sold.” Actually, according to Upworthy millions of people are affected by human trafficking every year; not just women in Europe. Their whole dance was about making people, men especially, understand how terrible human trafficking is.

Interviewer:  Whoa, sounds like a powerful video. I will definitely post that link here. We’re almost out of time. Is there anything else you’d like to share with the women of our audience?

Detective O’Hara: Just…well, just don’t let anyone tell you stuff like you aren’t good enough, or pretty enough, or thin enough. You are enough, just the way you are!And, if they say stuff like that, get away from them because they aren’t really your friend.

Interviewer:  Again, Detective O’Hara, thank you for coming in and sharing with us.

To visit the site recommended by Detective O’Hara:

“Who Doesn’t Like to Watch Half-Naked Girls Dancing? These Guys After They See Why It’s Happening    http://www.upworthy.com/who-doesnt-like-to-watch-half-naked-girls-dancing-these-guys-after-they-see-why-its-happening   (Red Light District, Amsterdam.)

To learn more about Detective Maizie O’Hara, read Sketch of a Murder, Book 1, Special Crimes Team  http://www.amazon.com/Sketch-Murder-Special-Crimes-Team-ebook/dp/B00KU6AIPQ

Sketch of a Murderebook 7 30 2014

Visit Aya at http://www.facebook.com/ayawalksfar

 

MEET SERGEANT SLOWATER, SPECIAL CRIMES TEAM

Interviewer:  Sergeant Slowater, thank you so much for coming to visit with us today. I am pleased to interview you, again.

Sergeant Slowater: Look, this interview wasn’t my idea. It was strongly suggested that I participate in your series about the Special Crimes Team, so here I am. As I told you before: I am not a fan of the media.

Interviewer: Yes, I believe you did make that clear the last time I spoke with you, Sergeant, but I am happy to have the opportunity to see if we might forge a bit more amicable relationship. With that in mind, I have given a great deal of thought to what I’d like to ask you. (Interviewer stops and waits for acknowledgement from Sergeant Slowater)

Sergeant Slowater: (shrugs) Whatever.

Interviewer: I understand that you lived in Mount#Vernon before moving to Seattle. How do you like Seattle?

Sergeant Slowater: (Frowns): I am not a fan of big cities. Too much noise. Too many people all crowded together.

Interviewer: (Raises an eyebrow): Why did you transfer here if you feel that way?

Sergeant Slowater: Let’s just say it was strongly advised as a wise career choice.

Interviewer: Okay. Since you don’t like big cities, can you tell me why you like smaller cities?

Sergeant Slowater:  (looks at interviewer and restlessly taps fingers on chair arm) They’re the opposite of big cities. Quieter, not as crowded.  Where I grew up, there was farmland all around us.

Interviewer;  Tell me something else about Mount Vernon, Sergeant.

Sergeant Slowater: Like what?

Interviewer (gives a small shrug) Whatever you would like to share. Like what is your favorite time of year up there?

Sergeant Slowater: The spring. (gives a little smile) I love how the trees start leafing out, and I like going up to the tulip fields in bloom. There are rows and rows of colors: red and yellow are the most prominent, but the one I like best is the deep purple; the orange-red ones are my choice for second best.

Interviewer: That sounds lovely. You know, I’ve never gone up during the Tulip Festival. I think I might have to, now. (gives a warm smile to Sergeant Slowater) There is one thing I think Mount Vernon cannot ever top Seattle in: the best pizza. (Interviewer gives a sad shake of head)

Sergeant Slowater: (slight snort): Seattle has nothing on Mount Vernon in a pizza contest. The absolutely best pizza I have ever eaten came from a place in Old Town, called Pacioni’s.

Voted Best Pizza in Skagit County! Best Pizza in Western Washington per Sergeant Slowater!

Voted Best Pizza in Skagit County! Best Pizza in Western Washington per Sergeant Slowater!

You can buy a pizza from the list of different ones, or you can build your own. You start with a crisp, thin crust, then you pick from a list of sauces, meats, fruits, veggies and cheeses. There’s three different sauces. My favorite is marinara. Then you have eight different meats; I like Pacioni’s Italian sausage and Black Forest Ham. Then you add the fruits and veggies. I love the roasted red peppers, Kalamata olives, Portabella mushrooms, zucchini, and pineapple for a bit of sweetness.  That’s all topped off with a choice of seven cheeses. The ones I like are feta, shredded parmesan and shredded mozzarella.

Interviewer: Now I’m hungry, and challenged. I’ll have to try Pacioni’s.  I didn’t know Mount Vernon had an Old Town section.

Sergeant Slowater: Some of the buildings there date back to 1906. The Lincoln Theatre dates back to 1926.

Lincoln Theatre Mt Vernon Washington

Lincoln Theatre Mt Vernon Washington

Interviewer: Are old buildings of special interest to you?

Sergeant Slowater: (gives a solid head shake) Not really. I’m not a history buff, and I don’t get all gaga over the way a building is built or who the architect was. I just like how some of the older buildings look, the sense of having been a survivor of unplanned progress and unconsidered development. It makes me think there are people who value the old, not because it’s old, but because it’s beautiful, and functional and solid.  Something you can depend on. Some of the buildings built today won’t last fifty, much less a hundred years.

Interviewer: I have to admit. I like old buildings, too. I like the sense that if they could talk they would have fantastic stories to tell. (looks at watch) We don’t have a lot of time left, so tell me, Sergeant Slowater, what are the three best things you remember about growing up in Mount Vernon?

Sergeant Slowater: I didn’t grow up in town, just close to it, and the area was still considered Mount Vernon. What did I like about it? (purses lips and gazes off thinking. Fingers tapping again) Fresh food. There’s farm stands during the summer, plus Farmer’s Markets–usually on Saturdays–and the Skagit Valley Food Co-op year round.

Fresh, organic food!

Fresh, organic food!

The Food Co-op has been around for forty years–before I was born–and is still the place to buy organic food,

Vine ripe Tomatoes!

Vine ripe Tomatoes!

free-range meat including pork, and well, it just smells interesting. I go into most food stores and there isn’t any smell to them. When I walk into the Co-op that is one of the first things that happens: I’m greeted by these spicy, sweet, tangy smells. All of them pleasant, and intriguing.

The second thing I like about Mount Vernon and Skagit County is the farms. Tulip farms, berry farms, alpaca, cattle, and horse farms, flower farms. There is myriad things grown around the Mount Vernon/Skagit County area. It is a place that feels….well, for want of a better word, alive. Alive and hopeful. Do you know what I mean?

Interviewer: Yes, yes, I believe I do.

Sergeant Slowater: (gives a little smile) THE thing I love about that area, though, is a little produce stand called The Snow Goose Produce Market. It’s up close to La Conner. It has homemade ice cream, the longest list of flavors I have ever seen, and waffle cones made right there as you are ordering your ice cream. You can smell the sweet smell of waffles cooking. And the ice cream scoops are GINORMOUS! They even have some specialty ice cream from Lopez Island. I love the Skagit Strawberry and Wild Mountain Blackberry.

Interviewer: Now that is a place I am absolutely going to visit!  It appears that we have run out of time, today. Again, thank you, Sergeant Slowater, for being my guest. You’ve have given me a new perspective on a small city that I really hadn’t given a lot of thought to. Now, I’m going to have to go up there and visit.

For more photos of Mount Vernon, Washington go to: http://www.pinterest.com/ayawalksfar

For more information on the places Sergeant Slowater told us about:

www.skagitfoodcoop.com  All about local farming and sustainable food production. Newsletter and more information

www.pacionis.com  Voted Best Pizza in Skagit County

www.tulipfestival.org

www.snowgooseproducemarket.com  A f amily-owned seasonal produce stand known for “immodest ice cream cones”.

Read Sketch of a Murder and discover why Sergeant Slowater is “not a fan of the media”. http://www.amazon.com/Sketch-Murder-Special-Crimes-Team-ebook/dp/B00KU6AIPQ

Sketch of a Murderebook 7 30 2014

Visit Aya at: http://www.facebook.com/ayawalksfar

HOW SEXY IS TOO SEXY?

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HOW SEXY IS TOO SEXY?

I have been asked: what is the most difficult scene to write? That one is easy: #sex.

Now don’t get me wrong. It isn’t from lack of experience! No, the challenge stems from the fact that #sex is such an intense experience that to write it well I must decide how much detail is enough while making sure I don’t cross the line into too much. I hate it when I am reading a book and really want to shout, “TMI!”

The other thing that makes the writing of #sex scenes difficult is that I am a product of my time/era. I grew up during a certain period of history, in a specific #culture with its particular cultural norms that was nestled within the mainstream #culture. My family expressed our #culture in a certain way, and with that way comes a set of morals, ethics, viewpoints, perspectives, and obligations.

I must negotiate my way through those constraints to arrive at my own definitions of what is acceptable. But, isn’t that what writers do? We take where we came from, how we grew up, what we learned and what we dream and define the alternate realities that we create.

Beyond the personal, there is the major constraint of the story, the novel that I am writing. Scenes, whether sex scenes, battle scenes, or death scenes, must fit within the context of the story. I cannot simply decide I need some filler material so I’m going to write a battle scene, or maybe a juicy, hot sex scene. To employ such devices would create a jarring sense of disconnection within the story.

The #SpecialCrimesTeam murder mystery series I am writing does not lend itself to sex scenes, so in Book 1: Sketch of a Murder the reader will find battle scenes and death scenes, but not much in the way of sex.

In the second edition of #Good #Intentions, a literary #novel, sex is present, but more hinted at than actually shown.

Good Intentions Final cover

On the other hand, in my coming vampire series, Book 1: Artemis’ Warriors, there are very detailed sex scenes. Graphic sex is an integral part of the story.

While there is no simple solution to how I handle writing those challenging scenes, whether they are sex scenes, battle scenes or some other scene, the one constant is that a writer must be true to her vision of the story. I must know my #characters intimately enough to know how much is too much, how much is not enough to lend the #novel its verisimilitude.

I would be interested in hearing from my readers if they feel there should be more, or less, sex in my (soon-to-be-released) novels: #Good #Intentions, second edition, and Sketch of a Murder. Once you have read the novel, you can leave a comment on my blog, or leave a comment on my facebook page. Both books should be released by my publisher, Mountain Springs House (#MSH) by the end of this month.

Stay tuned to this blog for information on the release dates for Good Intentions and for Sketch of a Murder.

Meanwhile, you are invited to visit #Aya on #facebook:  http://www.facebook.com/ayawalksfar

MEET LIEUTENANT MICHAEL WILLIAMS, SPECIAL CRIMES TEAM

MEET LIEUTENANT MICHAEL WILLIAMS, SPECIAL CRIMES TEAM

(Interviewer): First, I want to thank both you and Governor Marleton for making these interviews possible; for encouraging your team to speak with me.

(Lieutenant Williams): (Shifts in his chair and clears his throat.) As I hoped I made clear, any interviews my team members give is strictly up to them. I will not force any of them to speak with you, or to give interviews to any media person, unless I believe it will assist in solving a case. I made that clear with Governor Marleton as well.

(Interviewer nods vigorously) Of course. (Interviewer pauses to reorganize thoughts): You stated that questions about ongoing investigations were taboo, but I was wondering if you would care to give us an idea of the types of cases your team will be investigating?

(Lieutenant Williams gives interviewer a steady look): According to Governor Marleton’s guidelines, our team will be handling certain types of serial killings, especially if they cross jurisdictional lines, extraordinarily gruesome murders, some cases of violent rape, and a few cold cases that fall into those categories. We will also handle any cases the Governor specifically requests us to investigate.

(Interviewer): What about gang violence?

(Lieutenant Williams shakes his head slowly): At this time, Governor Marleton has not included that in the criteria she established.

(Interviewer): Tell me, Lieutenant Williams, how did you decide to become involved with the Special Crimes Team?

(Lieutenant Williams purses his lips as he gives the question some thought): Let’s just say I was encouraged by my immediate superior to take advantage of the Governor’s invitation.

(Interviewer raises eyebrows): Was that a good thing, or a bad thing?

(Lieutenant Williams’ mouth turns up slightly at the corners): Not everything falls into a good or bad dichotomy. This is especially true of police work.  As a detective, I am ultimately dealing with complex human beings.

(Interviewer cocks head and studies the lieutenant for a moment): Speaking of complex human beings: what do you think of your second-in-command, Sergeant Slowater?

(Lieutenant Williams): We are working our first case together, so I really don’t have a long term acquaintance with Sergeant Slowater; however, it is my understanding that she’s a good, solid cop. I expect her to be an asset in solving the murders we are investigating.

(Interviewer): Is there any member of your team you feel might not fit into the group?

(Lieutenant Williams crosses his arms over his broad chest): EVERY member of my team is a professional, Ms. Walksfar. Our team is not a social clique. We are police officers, detectives and “fitting in,” as you put it, is irrelevant. We do our jobs.

(Interviewer holds up hands in stop gesture): Whoa! I apologize, Lieutenant. I didn’t mean to offend you or to allude that any member of your team is less than a professional. I simply meant that since they are such a diverse group from diverse backgrounds that it might be difficult to come together without any rough spots.

(Lieutenant Williams uncrosses his arms but crosses his leg over his knee): You have my answer.

(Interviewer takes sip of water): How does Dr. Irene Nelson fit into the Special Crimes Team since, as I understand it, she answers to the FBI?

(Lieutenant Williams): Dr. Nelson is a well-respected agent and behavior specialist. We did not request her assistance, but since that assistance has been offered, we are glad to accept the additional resources.

(Interviewer glances at watch): Oh, my! Looks like we have run out of time for today, Lieutenant Williams. Again, thank you for coming. I am looking forward to getting to know the members of the Special Crimes Team.

To learn more about Lieutenant Michael Williams, head of the Special Crimes Team, read Sketch of a Murder http://www.amazon.com/Sketch-Murder-Special-Crimes-Team-ebook/dp/B00KU6AIPQ

Sketch of a Murderebook 7 30 2014

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Plotter or Panster? Which style of #author/#detective are you?

Today, as part of the #MSH #Blog #Tour, I have the honor of #interviewing Lieutenant Michael Williams from the Special Crimes Team in Seattle, Washington. Thank you, Lieutenant Williams, for taking the time to come and talk with us.The subject of today’s #interview is: are you a plotter or a pantser?

Lieutenant Williams: I appreciate being invited.It would be helpful if you would define those terms again.

Actually the term pantser comes from NaNoWriMo, National Novel #Writer’s Month. It describes an #author who ‘flys by the seat of the pants’. The #author doesn’t have an outline, a summary, nothing except the basic idea for a #novel.Plotter is pretty self-explanatory.This type of #author plots the entire novel or a large portion of it,has an outline or a summary,often has biographies of the various characters, especially the main characters and protagonist.

My theory is that there are divisions within #detectives that correspond to the divisions of types of #authors. So tell me, are there #detectives who are plotters versus #detectives who are pantsers?

Lieutenant Williams: (a smile that reaches up and causes his eyes to sparkle with good humor) I am afraid I have to confirm your theory. Of course, we have certain non-negotiable procedures, protocols that must be followed as we solve #crimes. (He gets a devilish gleam in his eye) And, we do our best to adhere to those.

(Interviewer raises eyebrows in gentle disbelief) Not what I’ve heard about the #Special #Crimes #Team.

Lieutenant Williams: (clears throat) Hmm. Don’t believe everything you’ve heard about us, (big smile) even if most of it is true. However, we digress. As I was saying, there are plotters and pantsers within the ranks of #detectives. A good example of that is Sergeant Slowater–I believe you attempted an interview with her not too many weeks ago–and myself.

Sergeant Slowater would be considered a plotter. She believes absolutely in logic, in following leads in a methodical manner, in carefully constructing a case, step-by-step. She is very intent on weighing the possible outcomes against the risks, and having backup plans in place. She does not give much credence to what she terms “woo-woo stuff”. This includes non-traditional methods such as using the press, giving weight to anything that cannot be perceived by the five ordinary senses, that type of thing. Sergeant Slowater gets uncomfortable with, as my granny used to say ‘coloring outside the lines’.

I am more of a pantser. Once I have done all that I can within the ordinary methods of solving a case, I am inclined to follow my instincts, to perhaps follow unconventional leads, and give credence to information that comes from sources that don’t necessarily use the five ordinary senses. I guess you could say that I am a bit too comfortable ‘coloring outside the lines’. (He smiles.)
(He cocks his head and looks at me) May I ask you a question?

Of course. (Interviewer gives Lieutenant big smile and a firm nod) I had hoped this would be more a dialogue than simply a question and answer period.

Lieutenant Williams: How do you see your style of #writing?

(Interviewer frowns in concentration) Well, I believe I fit the pantser style, like you. I don’t use outlines, summaries, bullets, or any biographies of my characters. I simply am (smile) ‘attacked by an idea’ that won’t leave my mind until I write it down. (a shrug) After that, I just follow where it leads me.

Lieutenant Williams: Why do you use that style? Why not use the plotter style?

(Interviewer taps a finger against her lips as she thinks) I suppose it’s because my characters, like real people, like the criminals you go after, don’t always follow a script, a plot, an outline. They can sometimes dart off in unpredictable directions. I guess, for me, it’s important to study why they act, and react, as they do. What causes them to go in a certain direction, act in a certain manner, say what they do, believe as they do? People can’t be put on a graph like a mathematical equation. Does that make sense?

Lieutenant Williams: (a slow thoughtful nod) Yes, it does. That is exactly why I use the pantser style in solving crimes. It is more about understanding the perpetrator, looking at life from his perspective. If I can understand the perpetrator, then I can predict the next action to be taken.

You said you are open to using non-traditional methods. Are you talking about psychics? And what do you mean by ‘coloring outside the lines’?

Lieutenant Williams: (Purses his lips as he thinks) Let’s just say that I believe there are things outside of our normal senses that can be utilized in solving #crimes, or #writing books. As for ‘coloring outside the lines’, there are situations that force a #detective to make hard decisions. Sometimes those decisions don’t follow absolutely along the lines of procedure. That’s all I will say on that subject.

(Interviewer glances at her watch) Oh, my! We have run overtime! I am so sorry to have kept you beyond the time I requested.

Lieutenant Williams: (good-natured grin) In that case, I guess you’ll have to buy me a venti mocha with two-percent milk and no foam, but lots of whipped cream. Sergeant Slowater got me hooked on those fancy coffees.

You got it! There’s a Starbucks I like.

For my blog followers, if you would like to know more about Lieutenant Williams and the Special Crimes Team be sure to stay tuned for the announcement of the release of #Sketch #of #a #Murder, Book 1 of the Special Crimes Team series.

For more information about me and about my books:
Amazon: http://www.amazon.com/author/ayawalksfar
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Find me on #Goodreads: http://www.goodreads.com/ayawalksfar

#Interview with Bev Ransom

This week the subject for the #MSH sponsored #blog tour is to interview the main character of our novel. So, today I have asked Bev Ransom whose biography, #Good Intentions, is due out later this month to speak with me.
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Good Intentions

Bev, thank you for taking time to talk with me.

(Bev)Oh, sure. When Mom gave me the message I thought it would be interesting.

What are some of the reasons you participated in having a biography of your life written?

(Bev)Well, (she leans forward, arms propped on her thighs, face earnest) there are some things people should think about. I’m not that old, and I don’t have all the answers (she chuckles), but I know how I felt when everything came out in the open like it did.

Yes, that was quite the surprise, wasn’t it? What was the most important thing that occurred during the time sequence covered in your biography?

(Bev) My dad dying.(She glances away and blinks her eyes several times before turning back to face me)

I know how painful this must be for you. Are you okay talking about it?

(Bev gives a brisk nod)Yeah.(Taking a deep breath, she huffs it out and speaks in a stronger voice)Yeah, I’m okay. See my dad was always the one I talked to. Mom got so emotional about everything. But, Dad he was cool. I could discuss stuff with him. Where Mom cried about stuff, Dad would tell me to stop wasting time crying, and use that time to think about what I could do to change whatever it was.

That sounds like good advice.

(Bev)(She shifts around on her chair like she’s uncomfortable with what she needs to say)Well, yeah.Mostly.

What do you mean “mostly”?

(Bev)(Her brows scrunch down and she stares for a moment at her hands, clasped together in her lap) It wasn’t until quite some time after Rene died, and you know, everything else started happening, that I finally realized: with Dad it was all about logic and action, but it was Mom who let me feel.

Sounds like a person needs to do both of those things—think and feel.

(Bev smiles) Yeah, that’s what I learned. Eventually.

What was the second most important thing you learned during that time?

(Bev’s face falls into serious lines)I learned that #family shouldn’t keep #secrets from each other, especially not from their kids.

But aren’t there good reasons to keep things from #children?

(Bev firmly shakes her head) No. If a kid knows what’s going on in the family, we can find a way to cope. It’s when we’re kept ignorant of what is really happening that we get confused by conflicting messages that our parents don’t even realize they are sending out.

(Bev tilts her head and gives me a considering look) Do you know why I wanted my biography to be titled Good Intentions?

(I shake my head)No, I don’t know why you insisted on that title.

(Bev bites her lower lip then speaks) A friend of mine—and I don’t know where the quote came from—but she said, “The road to hell is paved with good intentions.” That’s what happened to my family. Everyone had good intentions when they made their decisions, especially the decision to keep me in the dark. Those good intentions were like cobblestones set in the street that we were traveling down. And that street led straight to the hell that our lives became.

Wow. That’s a heavy message. (We both take a sip of cold coffee from the mugs we’d forgotten were even there.) There you have it folks. Family secrets, even when they are kept with the best of intentions, can really bring a lot of sorrow to your loved ones. So, whenever you’re tempted to tell your children something less than the truth, please remember how much pain you might eventually cause.

Thank you, Bev, for coming today, and for sharing what has been a painful journey of self-discovery in your biography, Good Intentions.

GoodIntentions

Mountain Springs House Publishing, #MSH, will release the second edition of Good Intentions later this month of July. Please stay tuned to this blog for the final release date.

You can contact #Aya Walksfar, the author of Good Intentions, at:
http://www.facebook.com/ayawalksfar

Aya Walksfar

Aya Walksfar

Or tweet to her on Twitter Aya Walksfar@ayawalksfar
Check out other books by this author on her author page at Amazon: http://www.amazon.com/author/ayawalksfar
Check out some of the books Aya reads on Goodreads: http://www.goodreads.com/ayawalksfar

Dissertation: The Truth about Vampires

In the Secret Archives of The Matriarch
Dissertation: The Truth about Vampires
By Serena Longer, First Councilwoman of the North American Vampire Coalition

Through the millennia vampires have had to propagate certain falsehoods for their safety, and the safety of humans closely associated with them. Here is a brief, and true, history of the vampire race, and the establishment of the North American Families.

When Cain murdered his sister, Abella, he and his children then attempted to eradicate Abella’s progeny. They cruelly hunted the children, murdering and torturing any they found. Their rationalization for such extreme actions was that Abella’s children followed a false diety, the Great Mother.

Artemis, Protector of the Vulnerable, intervened. She granted certain powers to Abella’s children, making them no longer fully human: superior strength, superior speed, superior intelligence, superior senses, some magical abilities, and near immortality.

In return for the Warrior Goddess’ protection, an agreement was made between the children of Abella and Artemis. This agreement was thereafter referred to as The Goddess Gifted Purpose, usually referred to as simply The Purpose.

According to The Purpose, Abella’s children would use their gifts in an attempt to guide and protect Cain’s progeny. They were to try to bring about the salvation of human souls by helping them to evolve beyond their genetic predisposition to murder and destroy not only other two-legged, sentient beings, but the other beings, such as animals, birds, even the trees and the Earth Mother as well.

Five hundred years after The Purpose was set out, a number of vampire families fell away from The True Path of Artemis. They began to use their ability to enthrall, and to enslave, humans and to treat all humans with contempt. Certain powerful vampire families made it known as to what they were, and often left drained human bodies where they died.

Panic among the human population ensued and years of bloody fighting occurred. This was the time of The Great Fall. Artemis’ People not only fell from The True Path, but also many of the Ancients and Teachers were murdered either by powerful vampires wanting to usurp their authority or by panicked bands of humans. Humans rioted through many vampire estates burning and beheading.

At this time there arose a type of human, from Cain’s descendants, who wielded magical powers. These magical powers consisted of various talents such as the ability to use the mind to light fires, read other human minds, guard against enthrallment by vampires, superior leadership skills, great strategic minds, the ability to recognize supernaturals, and the ability to break vampire enthrallment of other humans. These humans were often longer lived by several hundred years than normal humans and continued to develop the strength of their talents as they aged. They also experienced no human tendency toward disease or disability.

Once enthralled humans were released of their vampire enthrallment, they could not be re-enthralled. Shortly after the human’s release, the human went mad with bloodlust toward vampires and set out to kill all vampires. This condition was called vamp-kill-crazy. They had the ability to recognize vampires on sight, though they could not recognize other supernaturals.

Entire vampire families were wiped out during the time of The Great Fall. Eventually, vampires hid, and the humans who once knew what they were died off, as humans are prone to do.

Vampires became more cautious for a long time, taking what they needed, but no more. Many returned to The True Path and the Teachings of Artemis.

Another several hundreds of years of relative peace and prosperity for vampires followed. Until The Time of Hunting. Human history notes this era as the Dark Ages. Old legends were revived and the few humans who were magic-wielders emerged to lead the human populace against the vampire race, again.

During this time, some vampires fled Europe, and the ones who remained went deep underground. They often passed themselves off as human.

After the hysteria died down, The Time of Hunting came to an end. The vampire population was once again decimated. The families who survived created the World Council of Vampires and set out certain rules of conduct known as the Edicts of the World Council.

Among the Edicts of the World Council the first and most stringent one was against Open Enthrallment. The Policy of Open Enthrallment said it was a vampire’s right to enthrall humans who would then provide sustenance for the vampire and his/her family. This was much like the keeping of cattle among humans. Once the human grew too old or too ill to provide sustenance they were killed. Furthermore, selected humans could be turned against their will. The Edict was named The Policy Against Open Enthrallment. The Edict provided standards for–under strict guidelines governing who could be enthralled, as well as who could be turned–the keeping of humans.

The second most important edict to be released by the World Council was The Edict of Mythology. This edict decreed that all vampires propagate certain mythologies concerning supernaturals, and especially concerning vampires.

These mythologies served several purposes. The most important ones were to misdirect human recognition of vampires, and to cause humans to believe that vampires were nothing more than stories told to frighten children.

Among the mythologies are the most popularly believed ones:
Vampires are destroyed by sunlight.
Vampires cannot go into a church, or other holy edifice.
Vampires must sleep in coffins, sometimes with the dirt from their homeland.
Holy water, and other holy artifacts can physically harm, and sometimes destroy, vampires.
Vampires must kill in order to stay healthy.
Vampires are cold to the touch.
Vampires have no heartbeat.
Vampires do not breathe.
Vampires do not have souls.
Vampires cannot propagate, except by ‘turning humans.’

There are, of course, many other mythologies, usually depending on the location.

The World Council, however, refused to enforce The Purpose. It was decided that such matters must lie within the realm of each vampire’s Family. So, religious freedom was born among the Children of Abella, at least, at the level of the Matriarch or the Patriarch of the specific Vampire Family.

As Families grew, they frequently migrated to other parts of the world. Strong vampires within a Family were either killed or released to found their own Families.

Entire territories were claimed by the strongest vampires. The Longer Family claimed the North American Territory, which consisted of what came to be known as the United States of America, Canada, and Mexico.

Over time, the Matriarch led in a progressive movement to give limited autonomy to Families established within the North American Territory. A council was established, The North American Vampire Coalition. The head of the territory, and ultimate voice of authority remained the Matriarch.

The First Councilwoman wielded authority second only to the Matriarch, and often handled the normal business of governing forty Vampire Families. The head of each Vampire Family was named as that Family’s councilperson. The councilperson met periodically with the First Councilwoman to handle disputes and other business.

Upon the death of the Matriarch, the power and title of that position would automatically fall to the First Councilwoman. The First Councilwoman’s female child would inherit the First Councilwoman position.

This paper is an overview of the history of the founding of the Vampire Race and the establishment of the North American Vampire Coalition.

See other entries in the Secret Archive of the Matriarch for further information and additional subjects.

Homicide Procedures

DID YOU KNOW….?
In the state of Washington, when a body is found or a person witnesses an assault that turns into a homicide:
1.Patrol is dispatched. When s/he arrives, they determine that the assaulted is now a decedent, or confirm there is a dead person.
2.Once confirmed that there is a dead body, it is either an “attended” or “unattended” death.
3.All “unattendeds” are suspicious. Attendeds can be suspicious, or not suspicious as in the case of expected death/terminally ill/elderly.
4.If it is at all suspicious, the scene is “locked down” or “secured”. This means limiting any and all access to the area that appears to be involved. The police start big because they can’t start over. Sometimes that means a block, a room, a house.
5.The scene is secured with anything handy, but generally with police line tape. The police will tie to anything—poles, trees, cars, fences. (FOR HEAVEN’S SAKE! DON’T STAND STILL!LOL!)
6.A scenario: A shooting is reported. Citizen calls in that an altercation occurred in front of her house, there was a shot, a man slumped to the street. She sees people running away from the scene and then getting into a car. Many other calls come in about the same incident. Some give a description of the getaway car.
All area officers respond unless stuck at jail or on other calls. The radio traffic can be insane on such calls. If the officer en route to the call, and closest to it, sees a possible matching suspect vehicle headed away from the area, that officer has to decide whether to chase the vehicle, or continue to the scene. In order to save life, the officer continues to the scene to render aid, but calls in suspect vehicle so other officers and agencies can pursue it. This is a judgment call whether to pursue or continue to scene to render aid.
First responder, a patrol officer, arrives. Due to the nature of the crime, patrol officer tries to park away from the scene. The officer doesn’t stop talking on the radio while she checks the victim to see if the victim can be saved, she puts up tape, talks to people who are present, secures the evidence and follows procedures, all at the same time!
Officer walks up to the body, sees fresh blood pooling quickly from a gunshot wound to the head, sees brain matter and a skull fragment nearby. Advises Sergeant immediately “This is going to be a callout” ( ‘callout’ is for areas who have detectives off duty in the middle of the night)
Officer advises dispatch to advise Fire (who respond due to the apparent nature of the call: a victim of a shooting)that subject is 10-10(deceased)Fire still responds to confirm the death. When it’s an obvious fatal, only one or two firefighters will step into the crime scene which is now being rapidly secured and isolated which means getting the citizen ‘helpers’ out of the way since they are standing around the body by this time, and isolating witnesses so they don’t confuse what they actually saw versus what they are cross pollinating each other with.
First responding officer secures and isolates scene. The officer marks placement of evidence, sometimes using something as simple as pieces of paper from their notebook and folding the paper to cover any evidence like a bullet casing, bullet, cell phone, key, and so forth. This is a temporary measure until the real evidence team can arrive and start photographing and measuring those things. The body is left where it lies so detectives can gather evidence and examine the position of the body, impact points, and recover evidence, photograph the body and so on.
Once the detectives have adequately documented and recovered evidence, the body is taken by the Medical Examiner’s officer for an autopsy. Detectives attend the autopsy.
When cause of death is determined, the body is released to the family and goes to a funeral home. Delay of release depends on how quickly cause of death is determined. If there are toxicology screens or other lab reports pending the body is kept until they are finished. Usually not long, within a week mostly.

During the writing of my murder mysteries, Dead Men and Cats(available on amazon.com), and Sketch of a Murder COMING IN AUGUST, 2013 I have been fortunate to meet some great law enforcement folks. One such person is SUZANNE EVISTON. Suzanne is not only an officer, but also a K9 handler and trainer for K9 teams. MANY thanks to Officer #SuzanneEviston for her wonderful patience in helping me to understand the procedure that occurs when a homicide is reported. As always, any mistakes are mine.