Novels represent the intersection between reality and fiction. What really happened? Is this novel a thinly disguised autobiography of the author? A biography of another person? Did those events actually occur?

Authors of literary fiction are more likely to be asked this question than authors of sci-fi, murder mysteries and fantasy. Mohanalakshmi Rajakumar, the Qatar author of An Unlikely Goddess, was asked if the events of her novel actually happened to her. I, too, have been asked if my literary novels are autobiographical. Though we would like readers to focus on the issues in the story, such a question is truly a compliment. People have connected to the novel on a visceral level.

It was once said of the western writer Louis L’Amour that if he wrote of a stream in a certain place, the stream existed. The Law and Order series on television boasts of ripping their episodes from the headlines. In my mysteries, I use extensive research to present reality in a fictional milieu. In Street Harvest, I take the very real issues of human trafficking and the danger in which street children live constantly and blend it with fiction as a way of highlighting these current issues to allow people to connect on an emotional level.

Reading a powerful book can change our lives.

Since I write to not only entertain, but to also enlighten and empower; and to ultimately make a positive impact on our world, it is important for people to emotionally connect with my work. I love hearing such comments as “I want Grandma Greene for my grandmother.” The greatest compliment I have ever received was from a young person who said Good Intentions helped him to deal with being adopted and to forgive the fabrications of his adoptive parents.

A good writer knows that verisimilitude–details that lend the appearance of being true or real; what has happened to real people–increases the authenticity, the believability of her work. As such, it provides a more satisfying read and, in some cases, tidbits of knowledge.

While the cities and mountains and issues are often ripped intact from real life, the protagonists, antagonists and other characters within the novel–the good people and the bad people–seldom resemble any one person, living or dead. An author gleans characteristics, traits, eccentricities, and manner of facing life from a wide variety of people then builds the character from specific ones that will allow the story to unfold in a logical and entertaining way. The reader is guaranteed to “see” Uncle Jack or Aunt Milly in at least one of the characters, and therefore more likely to connect on a visceral level with the novel. In the end, it always returns to the reader–what will enhance the experience of the novel for the reader? What will give the reader the most value for her/his time and money?

The fiction I most enjoy reading incorporates reality with fiction to provide entertainment, enlightenment, and empowerment. It is also the type of fiction that I write.

I have tackled the tough, and sadly all too real, subjects such as family secrets, homophobia, racial tensions, hate crimes, betrayal, loss, grief, pedophilia, rape, domestic violence, street kids, human trafficking and much more in both my literary and my mystery novels. Yet, in each novel I have shown how people can triumph over horrendous circumstances and rise to live worthy and good lives. Much of my inspiration comes from real people I have known; people I have admired. Those people were ordinary people who quietly lived extraordinary lives.

So, what is real? The reality is that authors draw from real life, whether we write sci-fi or literary novels. We take what’s real and shape it into a novel. We write of love and hate; joy and sorrow; triumph and despair.

Do you identify with the characters in novels? Would love to hear! Please, comment.

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Mohana’s An Unlikely Goddess (ebook) is on sale for $0.99! Go to http://www.amazon.com/An-Unlikely-Goddess-Mohanalakshmi-Rajakumar-ebook/dp/B00FVSP82Q

To see a list of my novels go to http://www.amazon.com/author/ayawalksfar