Tag Archives: police

Scarier than #Halloween and Zombies!

Not all horror involves zombies and the undead. When you pick up one of my mysteries you will embark upon a journey that will horrify, terrify, and, ultimately, uplift you.

  1. Sketch of a Murder: When the legal system fails women and children, The Avenger dispenses a unique brand of justice. Sergeant Nita Slowater and the Special Crimes Team must stop the Avenger before an innocent man dies!
    In the real world, true horror occurs every day with the failure of our legal system to protect children from sexual abuse; and the failure of that same legal system to provide justice to women who have been sexually assaulted. All too frequently what happens is the child is told to stop telling lies and the women are interrogated as if they committed a crime by being assaulted.
    https://www.amazon.com/Sketch-Murder-Special-Crimes-Team-ebook/dp/B00KU6AIPQ

  2. Street Harvest: A group of dedicated people frantically search for human traffickers targeting street kids in this fast-paced novel.
    In the real world
    of our modern-day United States, a child goes missing every 40 SECONDS! As a transient population, street kids are at the highest risk to go missing and become a victim of human trafficking. And, LGBTQ youth are particularly at-risk since they comprise over 40% of the street kid population.
    Children as young as six-years-old are raped, sodomized, tortured, and sometimes murdered in snuff films for the ‘entertainment’ of perverted men, usually Caucasians. Other children are shipped overseas to brothels for the perverted pleasures of men who fly in from industrialized nations to partake of that which is illegal in their own countries.
    https://www.amazon.com/Street-Harvest-Special-Crimes-Team-ebook/dp/B00KVREDIC

  3. Backlash: Success can be deadly…if you’re a woman. The clock begins ticking with the abduction of successful attorney, Eleanor Delaney. Sergeant Nita Slowater and the Special Crimes Team must piece together a puzzle that began thirteen years ago.
    In the real world successful women, such as First Lady Michelle Obama, are targeted for harassment that ranges from insinuations to verbal/emotional attacks, and sometimes to physical assaults. As an ordinary woman, I understand some of what such women endur for I, too,–like every woman–live each day never knowing if I will be harassed, sexually assaulted or physically attacked.
    Rape is a reality that overshadows women from birth to death. One in three women will be sexually assaulted by the age of 18. No woman is safe whether she is on a college campus, working in an office, riding mass transit, broke down on a lonely road, or sleeping in her own home. There is no greater horror than to live with the knowledge that you never know when you might become a victim.
    https://www.amazon.com/Backlash-Special-Crimes-Team-Book-ebook/dp/B00W7UJAWA
    kdpcover

  4. Death by Dog: When savaged bodies begin piling up, Sergeant Nita Slowater and the Special Crimes Team must stop dog fighters who are turning dogs into deadly weapons.
    In the real world,
    #dog is man’s best friend, but man is often a dog’s worst enemy. Ghandi is credited with saying, “The greatness of a nation and its moral progress can be judged by the way its animals are treated.” Here in the United States dog fighting is a thriving so-called ‘sport’. Dogs whose only crime is to be bought, raised, or sold to dog fighters will live a life in cages, beaten, starved, and set upon by larger dogs all in the name of ‘entertaining’ men.
    Like domestic violence and rape, dog fighting crosses all socio-economic strata. At a dog fight you can find a doctor, a lawyer, a judge, an athlete, or the CEO of a large corporation right alongside of all types of criminals, drug dealers, and wanna-be gangstas.
    https://www.amazon.com/Death-Dog-Crime-Team-Book-ebook/dp/B01B5NXY4E
    dbdcover1

NOTE: Set in the beautiful Pacific Northwest, ALL books in the Special Crimes Team series can be read as STAND-ALONES. Grab your copy today!

  1. Run or Die: Jaz Wheeler never realized that farming could be hazardous to her health until six men issued the ultimatum: run or die!
    In the real world, there is nothing more horrifying, more frightening than to be attacked because of the color of your skin or because of your sexual orientation, and to know that those who are charged with serving and protecting you may be some of the very ones assaulting you. Not knowing if you will survive to see another sunrise, with nowhere to run, with no place to hide, and with no one to turn to, you face death truly alone.
    Run or Die is a work of fiction based on fact. Sadly, racism and homophobia are alive and deadly here in our country. The current hate-mongering election is feeding the flames of violence that could burn up all of us.
    https://www.amazon.com/Run-Die-Aya-Walksfar-ebook/dp/B00KV8BK5A
    ecoverrord

Things That Go BOOM!

Lieutenant Chris Knurr took on the scary (nearly as scary as disarming bombs!)task of teaching a roomful of writers about things that go boom.
Here is the brave individual! Chris Knurr Bomb Squad WPA
I’m not real sure that he should have told us about Macgyver bombs, though. Those are things of which nightmares are made. These little explosive devices are also called acid bombs or bottle bombs. And, they are one of the scariest bombs out there. Why? Not because they are the most destructive–not even close. What’s so scary is that these highly unstable and unpredictable bombs can be made from readily available supplies found in many homes! Chris showed us a short video clip of one young man who put the chemicals for the bomb in a plastic bottle and then shook the bottle. The bomb exploded in his hand. Though these are not even close to the most destructive explosives, they can still maim and kill.

Sometimes, I get so wrapped up in thinking about the explosives used to create bombs–things like dynamite and C-4–that I, like many others, are unaware of the danger present in those small or long, thin devices called detonators. Chris passed a non-el or shock tube around so that everyone in the room was holding it and then he set it off. It was startling with a small zap, but if it had been part of a bomb it would have been used to initiate a detonator or blasting cap.(please note: things in bold are corrections made to original post per information from Lieutenant Knurr. Thank you, Lieutenant Knurr, for passing along these clarifications! You rock!)

Det cord is a high explosive wrapped in a plastic coating, needing a detonator or blasting cap to initiate it. When it is set off by a blasting cap, it sends a detonating wave to other blasting caps or explosive charges. This cord is commonly used to connect explosives together.

After that fairly benign demo of a shock tube, he passed around inert blasting caps—little metal tubes not more than a couple of inches long and smaller in diameter than my little finger. Though they look harmless, they are small, sensitive primary explosive–woe be to those who forget this part of the description–devices used to detonate a larger, more powerful and less sensitive secondary explosive such as TNT, dynamite or plastic explosives.

One man did forget the description of blasting caps. Chris showed us a photo of what was left of the man’s face after he bit down on a live blasting cap. We could just about make out his eyes above the ruin of his face. Nose, lips, mouth, cheeks, and chin were gone. Blood was streaming down the red mass that had been his face. It was nothing short of a miracle that the man survived.

Since I am writing a thriller where homemade explosives play a significant part, I was especially interested in the part of the lecture dealing with ANFO, or bombs made from ammonium nitrate and fuel oil. Several thousand pounds of a slightly different formulation of this type of explosive–ANNM which is ammonium nitrate with nitro methane fuel–was packed in the vehicle that Timothy McVeigh parked in front of the Alfred P. Murrah Federal Building on April 19,1995. He lit a two minute fuse and when the explosion occurred it killed 168 people, including 19 children and injured another 684 others.

Two of the most popular, homemade high explosives currently seem to be TATP and HMTD, both hydrogen peroxide based. Chemicals to make these bombs are fairly common. Unfortunately for law enforcement, the labs producing these high explosives may appear to be meth labs since TATP is a white crystal and HMTD is a white powder. These explosives are unstable.

Chris’ lecture covered many other types of explosives as well as such topics as what defines the ‘explosive train’, but those things would require a lot longer post and much more skill to explain than I have to make it as understandable as Chris did for us. (Just because I could understand it, doesn’t mean I can explain it! Chris is a talented teacher and an accomplished expert in all things that go BOOM!)

There were some things that really snagged my attention, though.

  1. I had no idea that a suitcase full of firecrackers, if set on fire, could blow up a full size car!
  2. Car bombs in a downtown area is a bomb squad’s nightmare.
  3. It is way too easy to buy the ingredients to create a bomb! Scary!
  4. There are 2700 civilian bomb techs trained by the FBI.
  5. A “dirty bomb” is not one that needs a bath; it is an explosive that has radioactive material on it.
  6. Grenades, and high explosives, create pressure waves/shock waves that go through a body. This, in turn, creates fluid waves (we are mostly water) that shred the inside of the body. This is what kills.
  7. The bomb suit—Explosive Ordnance Disposal suit (EOD)–weighs over 80 pounds and someone has to wear it! It is hard to move in it and is very hot! (I tried on the helmet and the coat part. Do you remember what it felt like when you were a little kid and your mom bundled you up for cold weather and you could barely move? Yup, a lot like that.)The helmet weighs about 8 to 10 pouunds. The bomb suit, in order to maximize dexterity and mobility, has no gloves. This leaves hands and forearms exposed to danger.
    Aya bomb coat WPA
    (This photo is used courtesy of Tom Middleton)

EOD technicians wear the suit during reconnaissance, when trying to ‘render safe’, or disruption procedures on potential or confirmed explosive devices. These suits protect the wearer from fragmentation, blast overpressure, thermal and tertiary effects should the device explode. An interesting note: technicians back away from explosive devices not because they are “afraid” of the bomb, but because most of the protection resides in the front plate of the suit.
Tom in bomb suit WPA
Tom Middleton models the EOD suit next to the robot used by the bomb squad.

Though I have only been able to grasp a mere fraction of the information he conveyed, Chris gave me something more valuable even than knowledge of explosives; he gave me a better understanding of the dangers faced from international and homegrown terrorists who have easy access to the information and ingredients to create explosive devices; and he gave me a better understanding of the pressures the people of a bomb squad face as they work to protect the public.

Aya Bomb Squad helmet WPA

#2016WPA A World of Mayhem and Murder

WPA—a world of murder, arson, guns and explosives! A place where at the next corner you’ll be faced with a man lying on the floor in a pool of his own blood; his brains oozing out of his eye socket, bits of brain matter flung across the floor.

This was the world in which I immersed myself for four days.

Writer’s Police Academy utilized the facilities of the Northeast Wisconsin Technical College where real cops, EMS, and fire fighters train. The first night of WPA, we were treated to a chance to interrogate police officers about the equipment they use—everything from guns, rifles, battering rams, (let me tell you—that battering ram was heavvvvy!) SWAT shields and vehicles. They went through the procedure for forced entry by SWAT.

Throughout our classes at WPA, our instructors were cops, fire fighters, arson investigators, ballistics experts, and emergency medical experts. John Flannery taught my first class, Blood Spatter, (spatter; not splatter!)
John Flannery WPA

Dry book learning was not on the menu at WPA. A homicide scene greeted us as we walked into John’s class. A bullet hole in the window, blood spatter on the wall behind the couch, the body of a male—late twenties—lying in a pool of blood, brain matter coming out of one eye socket, the skull and clumps scattered on the floor.
WPA Blood Spatter Victim

We were the officers investigating the homicide. What clues did we see? Who did we suspect was the assailant? Why was there a bloody handprint on the bookcase? Did the victim make it after being shot through the eye? Didn’t people immediately die from such a gunshot wound? Did the jar with marijuana have anything to do with the murder? Why was there a revolver close to the victim and a shell casing from a 9 mm off to one side? Did either have anything to do with the murder?

Those were the obvious clues as we first encountered the scene. Other clues slowly came to our attention under John’s careful guidance, as did the possible meaning of each clue as it pertained to the crime. Blood spatter behind the couch linked to the bloody handprint on the bookcase. The victim had been shot through the eye as seen by the blood spatter behind the couch. (No brains oozing out yet) Holding his bleeding head, he had staggered across the room, placing his bloody hand on the bookcase to stay upright, then eventually falling to the floor where we then saw his body. He was not dead at this point—contrary to what a person might think knowing about the grievous head wound.

Blood spatter WPA
Someone had entered or had been present in the apartment when the victim fell. That person had then proceeded to kill the victim. This person’s presence became clear from the blood spatter on the ceiling above the victim’s body and the spatter on the wall to the right of the victim’s body. The spatter on the ceiling created four dotted lines of blood. This pattern was also seen on the wall to the right. We learned that this was cast off blood—blood flung from the instrument itself– blood streaks made when a blunt instrument is drawn back to hit the victim again.

The assailant had used a blunt instrument to beat the victim once he had fallen to the floor. The beating was the cause of death, even though the head shot may have killed him eventually. What kind of instrument was used to beat the victim? Was it still in the apartment?

A pool cue was used to beat the victim. The blood had been carelessly wiped off, leaving a pale pink stain at the pointed end of the stick. The felt tip was responsible for the blood droplets on the floor, the droplets that were fairly round with just a faint tail. This let us know that the assailant, after beating the victim to death, had walked away from the body with the end of the cue pointed down toward the floor. The diameter and shape of the blood droplets told us that.
Blood droplets from weapon being carried

A bloody footprint indicated that someone, perhaps the assailant, had stepped in the victim’s blood. The shoe print had a pointed toe, was small—like maybe a size five or six—and had a definite heel which was square—like a woman’s pump.
WPA Shoe print in blood

After examination it was revealed that the victim had shot through the window at someone or something outside of his apartment. This accounted for the bullet hole in the window and the revolver close to the victim.

We still had the 9 mm shell casing which indicated that a 9 mm had been used inside of the apartment to shoot the victim. His assailant had then, after the victim fell, proceeded to viciously beat him in the face and head with the pointed end of the pool cue. This beating resulted in the brain oozing out of the eye socket and the caved-in look of the right side of the victim’s head. Further investigation revealed a woman’s driver’s license tossed or fallen in the trash can in the living room where the victim lay. The beating was vicious and had continued far beyond just immobilizing or killing the victim warranted. It demonstrated that this crime had been committed with passion; it was personal. We concluded that we should look at the victim’s girlfriend, wife, lover, and exes.

Though this murder had been a scenario set up by John, he also showed and explained real crime scene photos which were horrendous. The first crime scene photo was of a woman in a cabin. The woman’s body had been found crumpled between the wall and the bed. From blood stains on the bed it was obvious the woman had been resting or sleeping when the attack began. She next fell or rolled out of bed in an attempt to elude her attacker. She was standing when the attacker hit her with a sharp instrument in the head. Blood smeared down the wall as she crumpled to the floor.

The assailant continued his attack after the woman was on the floor. One of the wounds was a hacked open thigh which left the muscles gaping with blood pooled in the wound. The pooled blood indicated that the wound had been made perimortem. The heart had stopped pumping before the blood drained over the edge of the deep wound. The assailant had also removed the woman’s left hand—post mortem fortunately for the victim–and it was found next to the wall. The viciousness of the attack indicated that it had been personal.

This led the investigation to the woman’s estranged husband. The estranged husband had followed the woman to the cabin, waited until their children had gone down to the beach, and then entered and attacked the sleeping woman. The severed hand was the hand with the wedding band still on it.

Unfortunately, the couple’s young children found their mother when they returned from the beach.

In the second set of crime scene photos, a mother and her child had been killed in their home; their throats slit. John was sensitive to the fact that the death of the infant might be troubling to some people. He announced that in the coming photos that an infant had been killed and if anyone wanted to leave for this part, it was perfectly all right and they could return after this particular crime scene had been examined. A few people who had small children at home did leave for this part of our session.

John then walked the class through the crime scene photos, explaining what the blood on the woman’s arms meant—she had grabbed at her slit throat in a vain attempt to save her own life. Next we explored the baby’s photos. On the side of the child’s face, there was blood—which went with the slit throat—but there was also a clean space called a void where no blood had run. This indicated that the child had been sleeping with his head turned to the right side when his throat had been slit, but at some time after that—perimortem which means at or close to the time of death–the child had turned his head until his face pointed upward. The void occurred because when the blood was running, the turn of the head placed a small part of that cheek against some object that the blood ran around—the bed was most obviously the object. The child, before dying, had turned his head to where his face looked up and then he died.

The assailant, who turned out to be the estranged husband and father, claimed that though he confessed to the crimes that his sentence should be mitigated because he killed his wife and son with humane means that resulted in instant death and that they did not suffer—ie: a slit throat.

The woman’s bloody arms and the void on the child’s cheek proved that both victims had struggled after their throats were slit and therefore had not died instantly.

The Blood Spatter class was packed with information and this short blog post cannot give it justice. Suffice it to say that I learned a ton of stuff! John was one of the best instructors I have ever encountered. If you want to read about John’s extensive credentials go to http://www.writerspoliceacademy.com/john-flannery/

Sisters in Crime was one of the sponsors for the #WritersPoliceAcademy. To learn more about #SistersInCrime go to http://www.sistersincrime.org/

Hashtags

manydroplets
As an author, my work is motivated by passion. I care deeply about every novel that I have written. I feel strongly that I have a gift that must not be wasted.
Journey you make
Consequently, while my work entertains, it also tackles some difficult subjects. This can, of course, be more easily seen in my literary and mystery novels, but it even occurs in my vampire trilogy and my YA novel, Black Wind.
(http://www.amazon.com/Aya-Walksfar/e/B00CMVAKKK)

What does that have to do with hashtags? Hashtags highlight an important point in a subject so that it is more searchable on the internet and, therefore, can be more easily located by readers. There is a hashtag that sums up the major motivation behind all of my work: #WomensLivesMatter

As I was thinking about that hashtag and how it relates to my writing, I began to realize that there is a second hashtag that is every bit as important: #LGBTQLivesMatter

It is only recently that I began considering what hashtags relate to my writing. It was the advent of the hashtag #BlackLivesMatter–coupled with the insistence of writing coaches that hashtags are important to authors–that finally helped me realize how important hashtags really are in this web-connected world. I began considering what the hashtag #BlackLivesMatter meant to me. The longer I thought about this hashtag, the more similarities I discovered between the occurrences that birthed that particular hashtag and the events that motivated my work. Let me start at the beginning.

I write to entertain, but I also write to empower women. Why do women need to be empowered?

Women grow up knowing that we are never safe: not on the street, not on college campuses, not in high schools; and not even in their churches. We realize that we face potential violence toward us whenever we do those ordinary things such as riding the subway, walking down the street, having a drink in a bar; and even in our own homes in bed asleep.
We are at risk for being beaten, raped, and murdered simply because we are women. The least dangerous thing that happens to us is being verbally harassed, but even that can turn deadly in the blink of an eye.

We are not safe from teachers, preachers, strangers, friends, lovers, or even family members from the time we are small children. And, all too frequently, we are not safe from the very ones society has placed in power over us; and policemen are all too likely to be a part of the problem, right down to actually beating, raping and murdering us.
There is simply no telling when or from where the attacks might come.

This situation has gone on for so long and has been so prevalent in our society that it has become normalized. Girls are warned about what they must do to lessen the risk of being attacked: don’t provoke them, don’t talk back, go along with whatever they are asking of you, don’t complain, be careful of what you wear, watch out for how you present yourself including how you walk, don’t go to certain places, never be alone as there is some safety in numbers sometimes, and if you are attacked, don’t fight back because they might kill you.
Of course, none of those things really work because the woman is not the perpetrator of the crime against them. We are the victim.

In order to break this cycle of victimization, the situations need to be brought to light. We cannot overcome that which we cannot name.

Just as women have experienced this level of potential violence all of our lives–consciously or subconsciously–black Americans also experience this level of violence. Simply take out the word woman and insert the word black in the above descriptions. And, as it is with women, it is with black Americans: they are warned not to provoke their attackers, to be careful where they go and when they go, to watch what they wear, and so on. Yet, as it is with women, it is with black Americans—there is nothing they can do to prevent those attacks upon them because they are not the perpetrators; they are the victims.

Women must measure the potential threat from all males in all situations. For black Americans, law enforcement officers have become a large, and very visible, part of the problem of violence against them.

A problem that is named is a problem more likely to be fought and overcome. Because the violence against black Americans has been coming, increasingly, from law enforcement officers, it has become important to name the issue: the issue is the casual and deadly violence with which police officers are confronting black Americans. Hence the need for a hashtag that refutes the police officers’ casual use of deadly force: #BlackLivesMatter

The more I considered the violence against women, the more I realized how the violence against black Americans contains strong similarities.

  1. Both situations occur with such regularity that they have become “normalized” and therefore, a nearly invisible part of society.
  2. Victim blaming occurs in both situations.
  3. These situations are not going to improve until certain conditions are met.

The conditions needed to resolve both situations are very simple, yet quite difficult to put into place. Think of these conditions as an arc, or an arch, beneath which justice and safety lie for all citizens.

A. Accountability: the perpetrators must be held to strict standards of accountability to the victim and to society.
B. Responsibility: the perpetrators must be given the absolute personal responsibility for their own actions against the victim, regardless of such irrelevant issues as what the victim was wearing, how the victim spoke, and so on.
C. Consequences: the perpetrators must face serious consequences that truly fit the crime they committed. For example, murder should result in very long prison terms, at the least, and should most often result in life in prison since the victim’s life has been cut short. Rapists should not be free to rape again and again and again.

Currently, perpetrators are not held accountable for the damage to people’s lives, and for the deaths they cause. They are not forced to stand responsible for their own actions. Excuses are presented to explain their behavior which then mitigates their personal responsibility; things like what the victim wore, how the victim spoke to them, why was the victim walking alone on the street at that hour (because they have a right to be there?), why was the victim standing on that corner.

In the case of law enforcement officers, there is the additional responsibility they assume when they begin wearing a uniform: they assume the responsibility to de-escalate situations so that the least amount of violence occurs.

And the perpetrators all too often do not face consequences commiserate with their actions. Rapists are given hand slaps and set free even when found guilty (after all who would think of ‘ruining’ a young man’s life when he is such a great athlete, regardless of the fact that he negatively impacted a woman’s entire life?) Law enforcement officers walk away from killings with a few weeks administrative leave and a bogus investigation into their crimes.

Our country does not face the greatest threat from outside terrorists. The greatest, most grave threat to our nation is the threat of home grown terrorists be they maniacs hiding behind religion or murderers hiding behind badges.

A good friend of mine, who also happens to be a very intelligent woman, pointed out that many people seem to demand that every Muslim who is not a terrorist should apologize for and condemn every terrorist who murders in the name of the Muslim religion while at the same time we do not hold police officers to that standard of behavior. For some reason, we don’t demand that all police officers apologize for and condemn every terrorist who hides behind the blue line and a badge.

Muslim civilians are not responsible for what others who claim that religion do. It would be like saying that all white Christians be held responsible for the actions of the Ku Klux Klan and the Westboro Church! However, when police officers take the oath to serve and to protect, they are accepting the responsibility to protect civilians against all threats, even if that threat comes from one of their own. Even moreso if that threat originates from one of their own.

It is time to demand that our police officers live up to that responsibility, or find new vocations. If there is a bad cop out there who pulls a gun on a civilian in a situation that does not call for that measure of violence, then it is up to the good cops to stop that cop before he murders a civilian; before he rapes a woman; before he beats up a queer.

To those entrusted with great power, rests great responsibility.

Yes, all lives do matter and that includes the lives of police officers. There are police officers—wonderful people who uphold the law and whom I greatly admire; people I am honored to call my friends—and I fear for their safety out there on the mean streets; however, until certain groups are no longer targeted, we must keep bringing to the public awareness that these groups are being targeted: women, LGBTQ people, and black Americans.

#BlackLivesMatter #WomensLivesMatter #LGBTQLivesMatter

As grave as these matters are, I am an eternal optimist. In every novel I write, the good/the light within people always triumphs. I believe our country will overcome this dark night and the sun of a beautiful day will one day shine upon all of us.
NoMatterHowLong

Gifts We Are Given

Journey you make
We all have gifts—talents, skills, even personality traits that we’re born with or have developed; usually both. We can choose to use those gifts strictly for personal gain and comfort or we can use those gifts to make a difference, however large or small that difference might be.

I come from #women who made a difference. For example, my grandmother worked in the kitchen of a large, busy restaurant washing dishes and huge pots and pans. It was a grueling, on-her-feet eight to ten hours a night then walk two miles home in the early morning dark since the restaurant closed around 2 a.m. It was the kind of job that could easily depress a person; make them angry and resentful; or just too tired to care about anyone else.
Not my grandmother.

Grandma didn’t tout her #spiritual beliefs. She just quietly lived them. Still it wasn’t surprising when the young cook and his wife brought their sickly newborn to Grandma while she was on her fifteen minute break and asked her to bless the child. Grandma laid aside the half sandwich and the cold glass of water, got up and walked outside with young Pete. She took their baby in her arms and prayed for the child and gave the little girl her blessing. I heard that the child did indeed begin a slow process of physical improvement from the night on.

Grandma was a giver of many blessings; usually in the form of encouragement, common sense counsel, a listening ear, and a caring heart. It didn’t matter if you were family, friend, or a stranger. My mother had a different type of gift. She didn’t care much for most people though she could talk anyone into almost anything. No, Mom’s gift lay with animals. Many of my short stories about animals originate in some incident with my mother. Stories such as the one about a coyote pup’s rescue from cruel men and the story about a horse standing in a farmer’s field starving, all came from instances of my mother’s courage to face down hostile humans and rescue needy animals. Vicious #dogs were my mother’s special gift. Dogs that would rather chew my face off as to look at me would sidle up to my mother and beg for her to touch them.
viciousHumanResponsible

My family didn’t have a lot of money; most days we were fortunate to have enough to eat, yet few days passed that my grandmother or my mother didn’t use their gifts to bring healing to a hurting world. From them I learned that if you have a gift and don’t use it to bring about positive change then you waste a precious resource. No other person will ever have the exact gift that you do. No other person will ever be able to bring about the positive changes that you have the power to create.

Sometimes, it isn’t easy to choose to use your gift for positive change. In my early twenties, I’d published a few short stories, some articles and a handful of poems. At this particular time in my life, I was living in an old milk van converted into a moving house. I made money with a variety of odds jobs that barely kept body and soul together. It was one of the tougher times in my life.

One night a man in a business suit knocked on the back door of my van. I picked up the pipe wrench that I kept handy for unwanted and insistent visitors (of which I’d had a few since I parked in out-of-the-way places and deserted parking lots) and answered the door. Ascertaining that the man meant me no harm, I invited him in for a cup of coffee. He sat on the passenger seat and I sat sideways on the driver’s seat as he laid out a business proposal. A friend of his had read some of my work and had been impressed with my ability with words. He had shown some of that work to this man.

Mr. Suit provided enough evidence to prove that he was indeed a successful businessman. His proposal was that I would write pornographic novels (he owned several adult bookstores and supplied a number of other outlets). He would buy them, paying me a nice advance for each novel, and then—depending on our agreement for that particular book–either the balance of an agreed-upon fee on completion or royalties. I could write under a pen name, if I desired.

At that moment in time, I had a total of ten dollars in my wallet and no job on the horizon. I turned him down. I was given a gift with words and with that gift came the responsibility to use it in a manner that would be, in some way, positive. Whether that emerged from writing an engaging story that allowed people to relax after a stressful day, or whether it emerged from the underlying ‘message’ in my stories, was irrelevant.

Since that evening in my van, there have been other times that I have been homeless, penniless, and jobless, but I have never regretted my decision. Now, many years later, I write books with strong female protagonists who make Superman look like a wuss.

My latest release, Death by Dog, opens with a street kid determined to stop dog fighters.

http://www.amazon.com/Death-Dog-Crime-Team-Book-ebook/dp/B01B5NXY4E

Death by Dog
Chapter 1
When the cold rain stopped that Wednesday, the sun peeked through gray clouds and painted the horizon over Puget Sound in slashes of orange and red. Soda stepped out the door of the First Avenue bookstore as she brushed her thick chestnut hair away from her face. It fell in waves to the middle of her back. She dug a scrunchie out of the pocket of her faded jeans then fisted her hair and tied it so that it fell under the collar of her hoodie.
Mid-March in Seattle, Washington, breathed an early spring chill on the city. She flipped her hood up then zipped the sweatshirt and stuffed her hands in the pockets. Shoulders hunched, she walked briskly south. Before long, she left the restaurants, boutiques and shops that had pulled steel mesh across their entrances for the night and entered an industrial area that had seen better times. Warehouses and abandoned buildings with busted windows hulked in the darkening evening.
The sound of rough male voices drifted across the narrow street. Soda edged into the deeper shadow of a crumbling, brick building; its windows like blinded eyes stared blankly out onto the littered street. Between the black jeans and the navy blue hoodie–pulled close around her pale face and with her white hands stuffed in her pockets–the shadows swallowed her form. Standing perfectly still, she listened as the voices drew closer. Eyes straining, she peered from her spot, trying to make out what swung between the two men.
A few street lamps–not yet vandalized–spilled watery yellow light on the dirty sidewalk and the green dumpster that squatted at the mouth of the alley across from where Soda hid. The men sauntered into the light. Soda squinted her gray-blue eyes. Her heart pounded when she finally realized what they carried.
The body of a large dog hung between them as they made their way to the dumpster. They swung the body back and forth until enough momentum had built and then let go. The animal sailed over the edge of the dumpster and thumped into the trash. They pulled off their gloves and stuffed them in jacket pockets.
The hum of traffic from several streets away sang a muted song, but the men’s voices–harsh and loud–rode over the top of it. The shorter, heavier man dug under his jacket and pulled out a pack of cigarettes. He lit one and the ember glowed as he inhaled. Grey smoke drifted up toward the circle of lamp light, but disintegrated when a slight breeze puffed off Puget Sound. The breeze smelled of dead fish. “Damn, that was some sick bitch. Shortest fight I’ve ever seen.” Admiration sounded clear in his gravelly voice.
The second man was slightly taller and not quite as heavy as his companion. He accepted a cigarette and lit it. “Short for damn sure. Only thing that bitch,” he jerked a thumb over his shoulder and toward the dumpster, “good for was a trainin’ fight. Can’t believe that other’n; not even two years old, yet. Man, I want me one of them dawgs.” He snorted a laugh.
A shiver ran up Soda’s spine. She pushed against the brick; the cold that seeped through her hoodie felt reassuring.
The shorter man shook his head. “In your dreams.” He finished his smoke then flicked the butt out into the street.
A cramp seized Soda’s calf muscle. Afraid any movement would draw their attention she clamped her teeth and pressed her lips together, willing herself not to move.
“What you think one of them dawg’s worth?” In imitation of the other man, the taller man flicked his cigarette butt out into the street.
For a moment, he seemed to be looking straight at her and Soda thought her heart might stop.
The other man shook his head. “Way outta your league. I heard some of them cost as much as fifty big ones.”
The taller man shifted his attention to his companion and Soda sucked in a silent breath. “If I had me a dawg like that…”
The shorter man guffawed. “You wouldn’t know what to do with it. Them things are the devil’s own dogs. One of them would eat you up, bro. Come on. I’ll buy you a beer.”
They sauntered away into the dark created by busted street lights. Snatches of their words faded until only the hum of the traffic from nearby streets filled the air. A couple of minutes later, a truck roared. Soda shuffled to the edge of the cracked sidewalk and watched as a block north a large, dark colored pick up pulled into the street. She waited until she could no longer see the red of the taillights before she hustled across the potholed asphalt.
Hand on the dumpster side she let her head drop back until she stared up at the faded sky. “Why am I doing this? It’s not going to change anything. She’s dead, or they wouldn’t have thrown her away.” A lump swelled in her throat. She swallowed hard. Taking a deep breath, she pushed her thin shoulders back and straightened up to her full five-foot-five in an effort to steel herself for what she knew lay in the garbage. With an exhale, she clambered up the side of the dumpster. Balanced on the inches-wide lip of cold metal, she stared down as the odor of rotted food wafted up to her. Pale light glinted off black plastic bags of garbage.
The dog had landed on top of several black bags. “You poor dog,” she said as tears quickened in her eyes. She readied to hop off the metal container then stopped. Holding her breath, she leaned forward. A faint movement caught her eyes.
Without hesitation, she dropped into the garbage and waded to the animal. One dark eye blinked slowly up at her. “Poor baby.” She eased down close to the dog. Papers rustled and a puff of something rancid reached her nose. She ignored it. Gently lifting the dog’s head, she scooted her legs underneath and laid the big head on her lap. A whine whispered from the dog. With light fingers, she stroked the dog’s face between gaping wounds. At least, the bleeding had stopped. A pink tongue slowly snaked out and rasped along Soda’s hand.
Even in the faded light from the street lamps, she could tell that the dog’s coat had once been a sable color, a mix of light brown and black hairs. Now a spray of drying and dried blood matted the fur with dark splotches. One of the muscled forelegs had been gashed and the muscle ripped open. The jagged point of bloodied bone jutted out of the skin. The dog had once been a beautiful animal with a well-built body that looked bigger than most German Shepherds that Soda had seen, but it was definitely a German Shepherd. She’d always loved the regal look of German Shepherd dogs.
Another shuddering breath pushed the dog’s ribs up and down. Soda swallowed back her tears as she recalled a lullaby that her mom had sung to her when she was young and had awakened from a bad dream. She petted the dog’s big head and stroked her side as she sang in a quavering, soft voice. Before she’d finished the song, the dog licked her hand once more, looked into Soda’s eyes and breathed her last.
Tears coasted down her cheeks as she wiggled out from under the dog’s head and laid it on a pillow of garbage. She reached out and stroked the still side. “Maybe you’ll see my mom when you cross the Rainbow Bridge, girl.” Jaw clenched, she struggled to her feet. With the sleeve of her hoodie, she scrubbed the tears away.
She had always loved dogs. Had one that had died a month before her mother died of cancer; a little dog shelter mutt, but Soda had loved Cindy. After her mother passed, she was glad that Cindy had died of old age first. She couldn’t have taken care of Cindy while she lived on the streets and she wouldn’t have left her dog alone with her abusive stepfather.
Fists knotted at her sides, she vowed that even though she was only a street kid she’d do something! She didn’t know what, but she would do something to stop those assholes from slaughtering any more dogs.

What gifts do you have? How are you using your gifts? Leave a comment. I would love to hear!
PleaseReview

4 Whys & 4 Hows of #Journaling

worthRemembering

Writing is not for the faint of heart. When words are put on paper, or computer screen, we are opening our minds, our emotions, and our souls to the reader. In journaling, the reader is also the writer and that is what makes journaling a powerful tool in #StressManagement, and in dealing with our daily struggles and triumphs, among many other uses.

There are 4 strong reasons to journal:

1.Express negative emotion safely. Have you ever said something then wanted to take it back, erase it? Once journaling becomes a habit, these unfortunate situations decrease drastically. You write out those hasty, and not so hasty, comments and then take the time to re-read and evaluate them. Should they be said? How could this be said in a more tactful manner? Am I simply venting my frustrations inappropriately?

2.Track progress in a project or toward a goal. In our very busy world it is easy to get sidetracked by an avalanche of things we need to do. Buried beneath this avalanche are those projects we hold closest to our hearts; ones that often get neglected. One way to insure that a project, whether large or small, reaches a successful conclusion is to track the progress of the project. In a journal, you can do that on a daily, or a weekly, basis. It is especially helpful if we sketch out our plans in the journal first, such as build tree house for the children. From that broad goal, you can then write out the steps to accomplish the end result and what materials will be needed. This is simply one way to track progress toward an objective.

3.Think ‘out loud’. We all occasionally need a sounding board, but there are times when the person we normally go to is either inappropriate or unavailable at the time of our need to ‘think out loud’. Thinking out loud is easily accomplished through writing in a journal. You put your thoughts, however rambling, into the journal and then leave them for a few hours. Go back and re-read what you have written. Often new inspirations or simply a new perspective will give you much needed feedback on the issue at hand.
Use these pages to record your emotions; even the ones that seem difficult to share such as the feeling of being vulnerable when you look up at the stars flung across the vast heavens; the heart-stopping joy at seeing the first butterfly of the season; the sadness of seeing a small animal dead along the road; the love for that special person that you haven’t yet found the courage to shout from the rooftops. Record those dreams that seem so out of reach that you fear to share them with anyone.
Use the journal to capture the moment; record the sights, sounds, smells, and feelings evoked as you catch a glimpse of a wild mountain goat in his natural habitat, or see the eagle soar above the raging white waters of a river. Life has a way of obscuring these moments. When we journal we capture the essence, what the moment means to us, more surely than any photograph.
manydroplets
Capture those droplets of life in your journal where you can revisit them from time to time.

4.To record our daily struggles and triumphs; our accomplishments, large and small. One of the easiest things to do is to tell ourselves that we have not ‘accomplished anything today’ (or this week, this month, this year!) All too frequently, the large and small triumphs get washed away on a flood of things we still need to do. Once we lose track of those triumphs, we forget how much we have actually accomplished. By journaling about large and small triumphs, we can use our journal as a tool for positive motivation. Record the fact that you got the kids to all their games on time; that you cooked a wonderful dinner for your significant other; and that you finally got that raise you deserve.
Use your journal to record struggles, self-doubts, and worries. A week or a month later go back and review these things. How were issues resolved? Was that self-doubt something that you needed to analyze and address? Time and again, you will discover that you have made good choices; you have overcome what could have been crippling self-doubts; and you have moved forward in spite of worry and obstacles. This will reinforce the fact that you are a capable person, and it will give you ideas on how to handle similar situations in the future.

There are 4 easy steps in journaling:

1.Choose a journal book that best fits you. A journal can be a spiral bound notebook or a bound and covered book with blank pages. It should at least be the size of a paperback book, but don’t use three ring binders as they don’t feel ‘intimate’ enough for personal thoughts and expression of emotion.

2.Dedicate a specific amount of time for journaling during a quiet period of the day—this can be once a day or once a week. It should be at least once a week as beyond that we forget the important things we want to say in our journals and journaling won’t become a habit.

3.Don’t worry about spelling, punctuation, or any other grammar boogeyman. Just go with the flow. This is not the final draft of a novel. These words are for your eyes only. Sometimes, the flow-of-consciousness—just allowing yourself to write without any specific purpose or goal—is a great way to discover subconscious thoughts and feelings.

4.Keep your journal somewhere safe from prying eyes. It’s for you, to share parts of it or to not share it at all.

There, you have it–four strong reasons why you should journal, and four easy steps to start your adventure today! Happy writing!

Go to http://www.amazon.com/Aya-Walksfar/e/B00CMVAKKK to check out my work.
Sketch of a Murder, the first book of the Special Crimes Team series, is FREE. Go to http://www.amazon.com/Sketch-Murder-Special-Crimes-Team-ebook/dp/B00KU6AIPQ ALL the books in the Special Crimes Team series can be read out of sequence or as stand-alones.

Just like journaling, reviewing a book is best done in the heat of the moment. So, when you reach that last page, shoot over to wherever you purchased the book–or if it was a gift, shoot over to Amazon or Goodreads–and leave a review. An author will thank you.

#Reviews: The Good, Bad, and Ugly

REVIEWS: The Good, Bad, and Ugly
Your opinion counts—especially with Independent Authors AKA #IndieAuthors—those of us who choose to write and to publish our own work. I read every review I receive, and I take them seriously. What the reader says matters to me.
What is even more important for the reader to understand is that reviews and word-of-mouth can make or break an Indie book. We swim, or drown, in an ocean of books. creeping fog on ocean
Between 600,000 and 1 million new books are published every year. With limited advertising budgets and no large house to create “buzz” for us, we have to depend on rankings, especially rankings on Amazon, to have our books placed far enough toward the top of the queue that readers who are randomly searching–say ‘mystery’–will happen upon our books. Two ways to get good rankings on Amazon is to either sell a lot of books every day and/or amass at least twenty-five 4 and 5 star reviews.
Unfortunately, Indie authors also face the terrible monsters of the deep. Beneath the choppy waters of the ocean of books lurk Review Trolls. Here is a rare photo of a Review Troll, note the wide open mouth getting ready to gobble up a Indie Author: Sea Monster Yawning
Review trolls are people who purchase a book, keep it a day or two and then return the book without reading it. That person can now post an Amazon VERIFIED purchase review. The reviews that trolls publish are always meant to wreck an author’s ratings. Like black hat hackers, review trolls are about unnecessary destruction. Their ratings, however, will pull down the ranking of the book that they attack unless that book has enough 4 and 5 star ratings to successfully counterbalance the trolls’ attacks.
With the challenges involved in getting very busy people to write and post reviews and fending off troll attacks, Indie authors face advertisers who won’t even consider their book for their publications and email blasts unless the book has at least ten 4 and 5 star reviews on AMAZON! They don’t count Barnes and Noble or Smashwords reviews. Everyone knows that advertising is one way to get your book in front of a larger audience. Classic chicken and egg situation. Advertising could result in more reviews, but you can’t advertise with the really good advertisers without ten reviews.
You see, a reader’s opinion really does matter, especially to an Indie author. The next time you finish a book, please consider zipping over to Amazon and quickly posting an honest review.
For me, and for many Indie authors who put in incredibly long hours, we thank you!
AMAZON REVIEW EXCERPTS FROM READERS:
STREET HARVEST (SPECIAL CRIMES TEAM, SECOND BOOK. ALL BOOKS IN THIS SERIES CAN BE READ OUT OF SEQUENCE) Pat Rummenie says:
Everyone with a social conscience who also loves a good mystery should read this well written book.
OLD WOMAN GONE (SPECIAL CRIMES TEAM, THIRD BOOK) Amazon Customer says:
The mixture of police procedures and Native American spiritualism are needed to solve the crime and rescue the two women. The author knows the setting well and uses it to enhance the story.
BACKLASH! (SPECIAL CRIMES TEAM, FOURTH BOOK) Coppercreek says:
I love crime novels, and this really hit the spot.
RUN OR DIE (STAND-ALONG MYSTERY/THRILLER) KtHack8 says:
I highly recommend this to anyone who wants a story about life and finding the will to overcome adversity.
RUN OR DIE (STAND-ALONE MYSTERY/THRILLER) Denise Gayl says:
Thought provoking about the injustices of bigotry and racism, and the ray of sunshine that there are people “out there” willing to accept, love, and help others even though their lifestyles are unlike their own. Well done.
HARD ROAD HOME (LITERARY, COMING-OF-AGE) pwindsinspirations says:
This story brought out emotions in me I had hidden away. I, too, was abused and afraid to tell anyone for fear of only making it worse for myself….. I liked how it took me from despair to triumph and the way the writer brought that about.
HARD ROAD HOME (LITERARY, COMING-OF-AGE) Denise Gayl says:
A very good read. As a mother of 2 girls, the subject matter is a bit difficult at times. But, in the end, it shows that young women pitted against adversity through no fault of their own can come back strong and live good lives. Is thought provoking and makes me realize there is much that needs to be done in this society to help young people thrive.
THIS is why I write! Thank you, Readers! YOU are my inspiration!
katrina leavereview

SKETCH OF A MURDER, Special Crimes Team, is FREE. Run over and grab your copy! http://www.amazon.com/Sketch-Murder-Special-Crimes-Team-ebook/dp/B00KU6AIPQ

To view my other titles go to: http://www.amazon.com/Aya-Walksfar/e/B00CMVAKKK

Reporters: Truth Tellers Or…?

BeautyWillPersist

Every time that I read headlines in the newspaper, I recall Sergeant Nita Slowater’s feelings about reporters. In Sketch of a Murder the protagonist, Sergeant Nita Slowater, doesn’t like reporters; in fact, she despises them. Her introduction to Dawn Samira, investigative reporter for the Seattle Times, reinforces Nita’s attitude.

Excerpt from Sketch of a Murder:
As they emerged from the car, she spotted a woman standing outside the yellow crime scene tape. A five-foot nothing blonde bomb that was roughly two seconds from explosion, if the hand waving and the foot stomping at the patrol officer told a true tale. Must be the reporter. They always act like the police should fall over their own feet giving them access to crime scenes. Arrogant asses.

After leaving the crime scene, Nita is told by her superior, Lieutenant Michael Williams that she will be the liaison with Dawn. Nita is far from pleased.

Excerpt from Sketch of a Murder:
“I don’t do politics and I don’t play ‘meet-the-press.’” She yanked on the snug lap belt and shifted her body away from him.
He slammed the heel of his hand against the steering wheel. “What’s such a big deal about this, Sergeant Slowater?”
Body stiff, she swung around to face him. “What’s such a big deal? Do you know why I got exiled to SCaT?”
He gave a one-shouldered shrug. “Governor Marleton didn’t think I needed that kind of information at this time.”
“I’ll tell you why—I slugged a fucking reporter and knocked him on his skinny, white ass.”

Still the lieutenant insists that she be Dawn’s contact during the case. Finally, Nita tells the lieutenant why she despises reporters.

Excerpt from Sketch of a Murder:
“I heard an undercover man was found dead when the doors got busted open.”
For a second, she closed her eyes then the images on the back of her lids forced them open again. “Yeah. My best friend, Ed.”
He scratched his jaw, fingers rasping against his five o’clock shadow. “What happened?”
She redirected her attention to the side window, watched the trees and bushes flash past. The memory hit her in the chest like someone hammering on a punching bag.
In the pre-dawn hours of that February morning, a drizzle of cold rain had weaseled its way down the back of her Kevlar vest as she waited for the go command. She’d been in the second wave to spread out through the blackness of the sprawling warehouse. Flashlight beams bounced off of stacks of boxes, pallets of crates. Barrels took up one large, roped off area. She recalled thinking how easy it would be for a sniper to pick them off. Only the first wave had night vision goggles; everyone else was pinpointed with flashlights.
Static nearly made the terse commands coming over her radio unintelligible. No need to answer. The office door loomed ahead of her, its pebbled glass bouncing the light into glittering fragments. The darkness looming all around them gobbled it up like a hungry beast. Head low, she reached over and twisted the knob. Locked.
Her partner, Ricky Day, held his gun in the ready position and tilted his head at the door. She nodded back. He swung in front of the door and kicked. The wooden jamb splintered. The door flew open, slammed against the wall hard enough to crack the glass in the upper half of it.

Even facing straight ahead she could feel the lieutenant stealing quick looks at her. The smells of that day wafted up from her memory. Technicolored pictures in her mind ran on fast-forward in an infinite loop, complete with surround-sound. Over and over. The coppery smell of Ed’s blood. The sour smell of a rookie puking. The echoing of the empty warehouse—empty except for Ed’s body still strapped to a battered wood chair in the main office.
The words clawed their way up her throat. “Those bastards tortured him. Cut out his eyes. Sliced off his lips and tongue and hacked off both ears.”
“Shit!” The curse exploded from him.
Her eyes darted toward him. Staring at his face, she felt the tie between them. Cops. In spite of their differences, they were cops. “Staub printed an exposé the day before—pretty much told them that one of our people was on the inside. No one could prove how he got his information, but the FBI agent working with us disappeared during the raid.” Silence pooled between them. She refocused her gaze on the roadside racing past the side window.
Miles later they ran into Seattle’s normal late afternoon gridlock. Taillights flickered. They coasted to a stop. Heat wavered up from the asphalt and mixed with the ghostly gray wisps of exhaust from the car in front of them.
“Dawn’s not like that.” His words hung in the stuffy air as the car crawled along.
She didn’t look at him. “They’re all like that, sharks without a conscience. All they care about is the blood, and they don’t really care whose blood it is.”

There is a segment of the population who believe that news reporters seek sensationalism rather than reporting objectively, and that such biased reporting negatively affects the information the general public receives about important events.
What do you think? Have you read about events in the newspapers or heard about them on television broadcasts that you feel are biased reports rather than actual reporting of events?
Do you feel that Nita’s attitude about reporters is accurate?

Don’t forget to get your FREE ebook copy of Sketch of a Murder and see if Nita ever finds a way to get along with Dawn.
http://www.amazon.com/Sketch-Murder-Special-Crimes-Team-ebook/dp/B00KU6AIPQ

STOP! We Need Strong Female Characters

front cover artemis (One of my favorite book covers)
http://www.amazon.com/Artemis-Warriors-Aya-Walksfar-ebook/dp/B0158NZ1L6

So here’s a quick questionnaire for filmmakers who’ve created a female character who isn’t a dishrag, a harpy, a McGuffin to be passed around, or a sex toy. Congratulations, you have a Strong Female Character. That’s a great start! But now what? Screenwriters, producers, directors, consider this:”

I decided to compare my books to this standard to see how my strong female characters rate: (also please remember that my protagonists are all female)

1.“After being introduced, does your Strong Female Character then fail to do anything fundamentally significant to the outcome of the plot? Anything at all?”

My strong female characters, even the secondary ones, always have a reason for being that is significant to the plot.

2.“If she does accomplish something plot-significant, is it primarily getting raped, beaten, or killed to motivate a male hero? Or deciding to have sex with/not have sex with/agreeing to date/deciding to break up with a male hero? Or nagging a male hero into growing up, or nagging him to stop being so heroic? Basically, does she only exist to service the male hero’s needs, development, or motivations?”

Even though some of my female characters—protagonist or secondary–are raped/beaten/kidnapped it is to advance the plot; not to advance a particular character.
Interactions in life are about the two people who happen to be in the same “story” as the other one. As in Street Harvest when Eleanor Hasting is kidnapped–she is in that position because of her personal beliefs.
I don’t create characters who primarily are there to motivate others. I don’t think life of a strong woman allows for that type of relationship, and all of my women are strong in their own way.

Street Harvest

3.“Could your Strong Female Character be seamlessly replaced with a floor lamp with some useful information written on it to help a male hero?”

NOT LIKELY!

4.“Is a fundamental point of your plot that your Strong Female Character is the strongest, smartest, meanest, toughest, or most experienced character in the story—until the protagonist arrives?”
Since my protagonists are female, I will answer this in regards to secondary strong female characters: no, the women I write about are complex, capable people who make mistakes, suffer and learn along with the protagonist who also suffers and learns.

5.“…or worse, does he enter the story as a bumbling fuck-up, but spend the whole movie rapidly evolving past her, while she stays entirely static, and even cheers him on? Does your Strong Female Character exist primarily so the protagonist can impress her?”

Dawn Samira, secondary/supporting character to protagonist Sergeant Nita Slowater, would really laugh at this one! Dawn has been called lots of things, but static is not one of them. She is Nita’s biggest cheerleader—as Nita is hers–but they grow together.

6.“It’s nice if she’s hyper-cool, but does she only start off that way so a male hero will look even cooler by comparison when he rescues or surpasses her?”

I love novels where the characters are not so much rescuing each other as they are growing together. These are the types of novels I write. Like in Run or Die when protagonist Jaz Wheeler interacts with supporting character Aretha Hopewell, both women come out better than at the beginning of the book. Learning and growing is a cooperative endeavor.
http://www.amazon.com/Run-Die-Aya-Walksfar-ebook/dp/B00KV8BK5A

7.“Is she so strong and capable that she’s never needed rescuing before now, but once the plot kicks into gear, she’s suddenly captured or threatened by the villain, and needs the hero’s intervention? Is breaking down her pride a fundamental part of the story?”

The only pride that gets shattered is the pride of the bad dudes! My protagonists and her supporting characters, kick the bad dudes butts!

8.“Does she disappear entirely for the second half/third act of the film, for any reason other than because she’s doing something significant to the plot (besides being a hostage, or dying)?”

Even my hostage in Old Woman Gone, Grandma Greene at 85 years old does not sit back and wait for rescue. She acts on her own behalf and on the behalf of others.

“If you can honestly answer “no” to every one of these questions, you might actually have a Strong Female Character worthy of the name. Congratulations!”

Yep, I think my female characters rank among the most complex, significant characters in fiction.
To read the entire article from which this standard was copied, go to: (it is well worth the time to read!)

http://thedissolve.com/features/exposition/618-were-losing-all-our-strong-female-characters-to-tr/

Death by Dog Ch. 1

DBDCover(1)
Death by Dog
Chapter 1
WEDNESDAY
When the cold rain stopped, the sun peeked through gray clouds and painted the horizon over Puget Sound in slashes of orange and red. Soda stepped out the door of the First Avenue bookstore as she brushed her thick chestnut hair away from her face. It fell in waves to the middle of her back. She dug a scrunchy out of the pocket of her faded jeans then fisted her hair and tied it so that it fell under the collar of her hoodie.
Mid-March in Seattle, Washington, breathed an early spring chill on the city. She flipped her hood up then zipped the sweatshirt and stuffed her hands in the pockets. Shoulders hunched, she walked briskly south. Before long, she left the restaurants and boutiques and shops that had pulled steel mesh across their entrances for the night and entered an industrial area that had seen better times. Warehouses and abandoned buildings with busted windows hulked in the darkening evening.
The sound of rough male voices drifted across the narrow street. Soda edged into the deeper shadow of a crumbling, brick building; its windows like blinded eyes stared blankly out on the littered street. Between the black jeans and the navy blue hoodie–pulled close around her pale face and with her white hands stuffed in her pockets–the shadows swallowed her form. Standing perfectly still, she listened as they drew closer. Eyes straining, she peered from her spot, trying to make out what swung between the two men.
A few street lamps–not yet vandalized–spilled watery yellow light on the dirty sidewalk and the green dumpster that squatted at the mouth of the alley across from where Soda hid. The men sauntered into the light. Soda squinted. Her heart pounded when she finally realized what they carried.
The body of a large dog hung between them as they made their way to the dumpster. They swung the body back and forth until enough momentum had built and then let go. The animal sailed over the edge of the dumpster and thumped into the trash. They pulled off their gloves and stuffed them in jacket pockets.
The hum of traffic from several streets away sang a muted song, but the men’s voices–harsh and loud–rode over the top of it. The shorter, thicker man dug under his jacket and pulled out a pack of cigarettes. He lit one and the ember glowed as he inhaled. Grey smoke drifted up toward the circle of lamp light, but disintegrated when a slight breeze puffed off Puget Sound. The breeze smelled of dead fish. “Damn, that was some sick bitch. Shortest fight I’ve ever seen.” Admiration sounded clear in his gravelly voice.
The taller, thinner man accepted a cigarette from the other man and lit it. “Short for damn sure. Only thing that bitch,” he jerked a thumb over his shoulder and toward the dumpster, “good for was a trainin’ fight. Can’t believe that other’n; not even two years old, yet. Man, I want me one of them dawgs.” He snorted a laugh.
A shiver ran up Soda’s spine. She pushed against the brick; the cold that seeped through her hoodie felt reassuring.
The shorter man shook his head. “In your dreams.” He finished his smoke then flicked the butt out into the street.
A cramp seized Soda’s calf muscle. Afraid any movement would draw their attention she clamped her teeth and pressed her lips together, willing herself not to move.
“What you think one of them dawg’s worth?” In imitation of the other man, the taller man flicked his cigarette butt out into the street. For a moment, he seemed to be looking straight at her and Soda thought her heart might stop.
The other man shook his head. “Way outta your league. I heard some of them cost as much as fifty big ones.”
The taller man shifted his attention to his companion and Soda sucked in a silent breath. “If I had me a dawg like that…”
The shorter man guffawed. “You wouldn’t know what to do with it. Them things are the devil’s own dogs. One of them would eat you up, bro. Come on. I’ll buy you a beer.”
They sauntered away into the dark created by busted street lights. Snatches of their words faded until only the hum of the traffic from nearby streets filled the air. A couple of minutes later, a truck roared. Soda shuffled to the edge of the cracked sidewalk and watched as a block north a large, dark colored pick up pulled into the street. She waited until she could no longer see the red of the taillights before she hustled across the potholed asphalt.
Hand on the dumpster side she let her head drop back until she stared up at the faded sky. “Why am I doing this? It’s not going to change anything. She’s dead, or they wouldn’t have thrown her away.” A lump swelled in her throat. She swallowed hard. Taking a deep breath, she tried to steel herself for what she knew lay in the garbage. With an exhale, she clambered up the side of the dumpster. Balanced on the inches-wide lip of cold metal, she stared down as the odor of rotted food wafted up to her. Pale light glinted off black plastic bags of garbage.
The dog had landed on top of several black bags. “You poor dog,” she said as tears quickened in her eyes. She readied to hop off the metal container then stopped. Holding her breath, she leaned forward. A faint movement caught her eyes.
Without hesitation, she dropped into the garbage and waded to the animal. One dark eye blinked slowly up at her. “Poor baby.” She eased down close to the dog. Papers rustled and a puff of something rancid reached her nose. She ignored it. Gently lifting the dog’s head, she scooted her legs underneath and laid the big head on her lap. A whine whispered from the dog. With light fingers, she stroked the dog’s face between gaping wounds. At least, the bleeding had stopped. A pink tongue slowly snaked out and rasped along Soda’s hand.
Even in the faded light from the street lamps, she could tell that the dog’s coat had once been a sable color, a mix of light brown and black hairs. Now a spray of drying and dried blood matted the fur with dark splotches. One of the muscled forelegs had been gashed and the muscle ripped open. The jagged point of bloodied bone jutted out of the skin. The dog had once been a beautiful animal with a well-built body that looked bigger than most German Shepherds that Soda had seen, but it was definitely a German Shepherd. She’d always loved the regal look of German Shepherd dogs.
Another shuddering breath pushed the dog’s ribs up and down. Soda swallowed back her tears as she recalled a lullaby that her mom had sung to her when she was young and had awakened from a bad dream. She petted the dog’s big head and stroked her side as she sang in a quavering, soft voice. Before she’d finished the song, the dog licked her hand once more, looked into Soda’s eyes and breathed her last.
Tears coasted down her cheeks as she wiggled out from under the dog’s head and laid it on a pillow of garbage. She reached out and stroked the still side. “Maybe you’ll see my mom when you cross the Rainbow Bridge, girl.” Jaw clenched, she struggled to her feet. With the sleeve of her hoodie, she scrubbed the tears away.
She had always loved dogs. Had one that had died a month before her mother died; a little dog shelter mutt, but Soda had loved Cindy. After her mother passed, she was glad that Cindy had died of old age first. She couldn’t have taken care of Cindy while she lived on the streets and she wouldn’t have left her dog alone with her abusive stepfather.
Fists knotted at her sides, she vowed that even though she was only a street kid she’d do something! She didn’t know what, but she would do something to stop those assholes from slaughtering any more dogs.