Tag Archives: detective

Genre vs Author

Genre VS Author

When searching for a new #book to read, do you first look in the genre or do you search by author’s name? How important is it for an author to write in one genre versus writing in several genres–such as an author who writes mystery, literary, paranormal and young adult versus an author who writes only mysteries or only literary or only paranormal books?

As an author I am always seeking ways to improve my visibility to readers and make it easier for them to find my work. I have been given various pieces of advice about writing in only one genre versus writing in several. There is one school of thought that says an author can “get away with” writing literary novels in conjunction with writing another genre since literary is in a class by itself. I write both literary and #mystery on a regular basis.

However, being an avid #reader myself, who consumes books from all genres except religious and erotica, I have had characters wake me up in the middle of the night yelling, “Write about me!” So, off I tromp to the writer’s dungeon, sleep still clouding my mind, and I kick up the computer. Fingers on the keyboard, I begin typing while not fully awake.

The next day when I re-read the beginning of whatever scene or story I worked on in the middle of the night, I gasp! Oh. My. God! I’ve written the opening scene of a vampire story with werepanthers (or a young adult story with a feisty grandmother and a young girl who loves horses).

A dilemma is upon me. Do I erase these poor characters, do I assign them to the Purgatory of the dreaded “Uncompleted Stories”, or do I continue to develop them and the story they have to tell?

If I do proceed to tell their story, do I publish it under the same name as I publish my literary and mystery novels, or do I use a different name–like C. W. Anon (Crazy Writer Anonymous)?

What would you recommend? My characters beg of you, please leave a comment.

Black Wind, a young adult novella, will be released July 24, 2015.

What would force a seventeen-year old girl to steal a horse? Follow my FB fan page and find out! http://www.facebook.com/AyaWalksfarAuthor

Death by #Dog, Book 5, #SpecialCrimesTeam

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Chapter 1

WEDNESDAY

Soda’s wavy, chestnut hair fell to the middle of her back. She pulled it back and tied it with a rubber band, so that it fell under the collar of her hoodie. Her mother had loved brushing and braiding Soda’s hair, even when Soda topped her mother’s five-foot-three height by two inches–before Mom got real sick; before sixteen-year-old Shelly Myers had become a street kid tagged as Soda. Sometimes, her mom would stand with her in front of her bedroom mirror and point out how they both had gray-blue eyes and the same determined, strong chin. She’d laugh and say, “Yeah, but you’re this curvy, sexy woman and I’m a stick that walks and talks.” She’d frown into the mirror. Mom would kiss her forehead and reply, “You are beautiful just the way you are.” Soda had loved those times.

But those times were miles away and months gone and mid-March in Seattle, Washington, breathed an early spring chill on the city. She flipped her hood up then zipped up the sweatshirt and stuffed her hands in the pockets. This part of Seattle–full of warehouses hulking silent in the evening and abandoned buildings with busted windows–held painful memories for her; so painful that it made her feel sick in the pit of her stomach, yet she felt unable to stay away.

Auntie El had been held by her kidnappers in a warehouse not far from where she walked. The elderly bookstore owner had befriended the street kids, Soda among them. Now she was gone, too; just like Soda’s mother. At least, Mom’s death had been beyond Soda’s control; not like Auntie El–dead because of Soda. “If only I had…” began the haunting litany. She shoved it away. Tears burned her eyes. It had been a year, yet the hurt twisted as sharp in her chest as if she’d lost Auntie El yesterday.

Ever since then these dark streets called to her. Every night she came down here, skittered from one dark spot to another, watching; circled the warehouses and listened. Some days she wondered if she was getting a bit crazy. What did she think being here could accomplish?

She edged along the deeper shadow of a crumbling, brick building; its windows blinded eyes looking out on littered streets. At the sound of male voices across the deserted street, she shrank back. Between black jeans and navy blue hoodie–pulled close around her pale face,white hands stuffed in her pockets–the shadows swallowed her form. Standing perfectly still, she strained to see what the men carried.

A few street lamps–not yet vandalized–spilled watery yellow light on the dirty sidewalk. The men sauntered into the light, the body of a large dog hanging between them as they made their way to the dumpster squatted in the mouth of the alley across from where Soda hid. They swung the body back and forth until enough momentum had built then let go. The animal sailed over the edge of the dumpster and thumped into the trash. They pulled off their gloves and stuffed them in jacket pockets.

The hum of traffic from several streets away sang a muted song, but the men’s voices–harsh and loud–rode over top of it. The short, heavy man lit a cigarette. The ember glowed as he inhaled. Grey smoke drifted up toward the circle of lamp light, but disintegrated when a slight breeze puffed off Puget Sound, smelling of dead fish. “Damn, that was some sick bitch. Shortest damn fight I’ve seen.”

The taller man accepted a cigarette from the other man and lit it. “Short for damn sure. Only thing that bitch,” he nodded toward the dumpster, “good for was a trainin’ fight. Can’t believe that other’n; not even two years old, yet. Man, I want me one of them dawgs.” He chuckled and a shiver ran up Soda’s spine.

The first man shook his head. “In your dreams.” He tossed his cigarette down, not bothering to stomp it out.

A cramp seized Soda’s calf muscle. Afraid any movement would draw their attention, she bit her lip hard to keep from shifting.

“What you think one of them dawg’s worth?” The taller man flicked his cigarette butt out in the middle of the street.

“I heard some of them cost as much as fifty big ones.”

“If I had me a dawg like that…”

The shorter man guffawed. “You wouldn’t know what to do with it. Them things are the devil’s own dogs. One of them would eat you up, bro.”

They moved away, snatches of words fading until only the hum of the traffic from nearby streets filled the air. A minute later, a truck roared in the night. Soda watched as a large pick up screeched away from the curb a half block away. She waited until she could no longer see the red of the taillights before she hustled across the empty street.

Breath sucked in deep, she exhaled then climbed the side of the dumpster. For a moment, she balanced on the inches-wide lip and stared down. Right when she had just about decided to hop off, a faint movement caught her eye.

Without hesitation, she dropped into the garbage and waded to the animal. One dark eye blinked slowly up at her. “You poor baby,” she sat on rustling papers amid half-rotted food and cradled the dog’s head on her lap. Gently, she stroked the dog’s side and face between the gaping wounds. The pink tongue slowly snaked out and licked Soda’s hand.

Even in the poor light from the street lamps, she could tell that the dog’s coat had once been a golden color. She imagined how it would have glowed in the sun. Now the spray of drying and dried blood matted it with dark splotches. One of the muscled forelegs had been gashed and the sharp point of white bone jutted out of the skin. She’d once been a beautiful #animal, the well-built body bigger than a German Shepherd’s.

Another shuddering breath pushed the dog’s ribs up and down. Soda remembered a lullabye that her mom sang to her whenever she woke up from a bad dream. As she petted the dog’s big head and stroked her side, Soda sang in a quavering, soft voice.

Before she’d finished her song, the #dog licked her hand once more, looked into Soda’s eyes and breathed her last.

Tears coasted down her cheeks as she gently laid the dog’s head on a pillow of garbage. With the sleeve of her hoodie, she scrubbed them away. She had always loved dogs. Had one before her mother died; before she’d had to leave to escape her stepfather’s drunken advances. Her jaw clenched as she struggled to her feet. Fists knotted at her sides, she vowed that even though she was only a street kid she’d do something! She didn’t know what, but she would do something to stop those assholes from slaughtering any more dogs.

Death by Dog will be Book 5 in the Special Crimes Team series. All of the books in the series can be read as stand alones without reading prior books in the series. Death by Dog is scheduled for release Winter 2015-2016.

Backlash, Book 4, Special Crimes Team: Success can be deadly…if you’re a woman! AVAILABLE on pre-order as an ebook on Amazon. Go to http://www.amazon.com/Backlash-Special-Crimes-Book-4-ebook/dp/B00W7UJAWA

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For a list of Aya’s books, go to http://www.amazon.com/author/ayawalksfar

The Birth of a Book

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In the unheard screams that rip the fabric of the night, in the silent tears of a victim huddled in upon herself in the corner of her own kitchen, Sketch of a Murder was born.

Domestic violence and rape are patterns of behavior used to establish power and control over another person through fear and intimidation, often including the threat or use of violence.

Once the first seeds of an idea are planted, I begin to research. What I found in the case of Sketch of a Murder was:

One in four women experience domestic violence in their lifetimes.

4 MILION women experience physical assault and rape by their intimate partners http://www.safehorizon.org/page/domestic-violence-statistics–facts-52.html?gclid=CJ6k76f9rcUCFYeEfgodUwYACA

The number of women murdered by current or ex male partners between 2001 and 2012 were 11,766. During that same time period, the number of American troops killed in Afghanistan and Iraq were 6,488.

http://www.huffingtonpost.com/2014/10/23/domestic-violence-statistics_n_5959776.html

FBI Statistics for 2013 for Washington State:

Forcible rapes in seven cities: (these are the ones actually brought to trial. Until conviction, they are only considered alleged rapes) 657.

Rape and domestic violence are among the most under-reported crimes. Frequently, women internalize the blame for being beaten and sexually assaulted. Shame and a sense of hopelessness; a fear of the abuser increasing the abuse; a fear that there is no way to escape; fear of reprisal against them or their family, seals their lips against reporting the crimes.

When the crimes are reported, the woman often finds herself grilled as if she is the perpetrator–what did you do to anger him; why were you wearing that slutty dress; isn’t it true that you’ve slept with other men; how many other men; how long did you know X before you invited him to your home; and the interrogations go on and on.

If the crime does go to trial, the woman’s ordeal is increased. She is placed on the stand and forced to testify to humiliating and painful memories in a hostile environment. She is cross-examined as if she is the defendant. Evidence can be difficult to collect or has been contaminated; the woman waited too long to report the crime; the woman’s character is put on trial; the trial becomes a “he said–she said” fiasco. Technicalities and good attorneys allow men to smile as they walk away unscathed after perpetrating horrible crimes that will scar their victims forever.

With research as a foundation, I begin a process of creative “what-ifs”. What if a person decided to take justice into their own hands? What motivates a person to seek violent revenge? What type of personality would such revenge require? What type of training would a person need to be successful? What type of tools would that person have to use?

From this process, the Avenger sprang. In Sketch of a Murder, the Avenger has been triggered by a life event to exact justice. After the first murder, the Avenger goes on a spree of gruesome killings. The Avenger, however, doesn’t simply pick guilty men who have skated on serious charges; the Avenger wreaks havoc among wealthy men who have used position and power and monetary advantage to walk free.

Now that I have the antagonist–or the bad person and that person’s motivation–I must decide who will oppose this person and why; who will be the protagonist.

Some crimes are far reaching enough to warrant the formation of a Task Force. Again the creative “what-ifs” are employed. What if a task force is created by the governor because the Avenger has eluded multiple police forces and the deaths of wealthy men negatively impact her position? What if the task force is not constrained by jurisdictional boundaries within the state? What if the best cops for that force are misfits, cops that have ticked off a superior because they refused to toe the blue line? What special attitudes and abilities would they bring to the story? What conflicts with each other would such renegade team members face?

The Special Crimes Team was born from the governor’s desperation to find and stop the Avenger. Purely a political move, or was it?

All books need a place of occurrence. Whether that physical place plays a large or a small part in the story depends upon the story. The state of Washington is blessed, and cursed, with features that attract the best of people, and the worst of people. Mountains, wilderness, farmlands, big cities, airports, seaports, railway stations, high immigrant and migrant worker populations, a diverse and mobile population, a down turn in the economy that resulted in foreclosed and abandoned homes, proximity to another country’s border and a general attitude of live and let live makes this state a haven for human traffickers, dog fighters, kidnappers, and other criminals who need unlimited places in which to blend and/or to use to escape.

With those elements–the crime, the antagonist, the protagonist, the scene and some of the complications–in place, the work of writing begins.

The first draft is written without concern for grammar, punctuation, or even logic and timelines. It is the story in the rough. After the first draft comes multiple drafts, each one refining the story, further developing the characters, fleshing out the scenes, fine tuning the dialogue, checking and fixing the timeline; and, reassessing the logic and the story arc. When I decide the story is finished, I begin editing. After I edit as much as I can, I send the work to others to edit. When that work is returned, I read the feedback and evaluate what changes must be made.

After editing, Beta Readers are engaged to comment on the story as readers–did it hook them; did the dialogue sound real; were the situations believable, and so forth. With that feedback, I make final corrections then send the book to the publisher.

The publisher obtains a cover, formats the book and puts the package together for presentation to the public. And, a book is born.

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KKK in BLUE

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The KKK in Blue

It is sad to say…that time is now.

I am about empowerment of #women and girls. I don’t talk about politics, much, or religion. When I do, I try to be even-handed. Well, the time for that is past.

After a lifetime of fighting for justice on several fronts, I had to step back from fighting the power structure because the fires of that struggle nearly consumed me. I had to learn to let go or die. Literally.

But it is time to weigh in on the events unfolding in the United States. These events are not surprising to me. It has never been safe to be a minority, nor has it ever been safe to be female, in what is supposed to be the free-est country in the world.

The strides we have made have been as much illusion as reality. Yes, a woman can now head a huge corporation and make a million dollars, but she can’t walk down a dark street safely nor does she have the sole right to govern whether or not she chooses to remain pregnant. She is harassed on public transportation; she is molested on airplanes. Women who are raped and have a child as the consequence of that rape can be forced, in 31 states, to allow the rapist access to her child.

Yes, black people can go to any school, if they have the money, but they can’t go jogging with assurance of safety nor can they gather to protest an injustice without fear of excessive #police force.

Women are still portrayed by the media in sexual ways; actresses asked about what they wear and their extra pounds while actors are asked about the parts they played and the stunts performed. Blacks who gather to protest are labeled thugs and rioters. Whites who destroy cities over a sports game are labeled drunken revelers and given a wink–it’s all in fun and high spirits.

Women can go to college, but they can’t safely attend a college party. If they have sex with more than one man, they’re whores and skanks. Blacks can go to college, but they can’t bike across the park. In Eastern Washington, God help you if you are #Latino or Mexican or Mexican American. You might as well paint a target on your back. If you’re #Native American, the bad news is–genocide is alive and flourishing under the guise of police power.

Are we seeing a pattern here?

Words are powerful and it is high time that the media be called to account for their biased reporting–and total NON-REPORTING of white and of male crimes against #minorities–racial and sexual. If you are male and white, you are right. If you are black, get back. If you are female…you be humble and grateful and for God’s sakes, look good! If you are a sexual minority, God help you. You are beset on many sides. If you are a white young male and murder women because they don’t want to date you, you are troubled. If you are black and accused of stealing tobacco products, you are criminal.

We are struggling for basic civil rights that are, supposedly, guaranteed to all Americans. When are white males–REGARDLESS of age or career–going to be called to account by the media and by the justice system? When are we going to admit and stop the Ku Klux Klan in Blue? When are the streets going to be made safe for women and LGBTQ and racial minorities?

If a cop sees another cop do something illegal, the first cop’s duty is to PROTECT the CITIZEN regardless of that citizen’s color, race, religion, sexual orientation or gender. It is not to cover it up, but to stop it! When a man sees a woman being harassed, the man’s duty is to stop it! When a white sees a black attacked, the white’s duty is to stop it! When a woman sees someone being harmed, the woman’s duty is to stop it! We may not be physically able to stop it, but we can call for help. We may not be physically able to stop it, but as the media we can tell the truth–for a change!

Words are powerful and it is the media’s DUTY to be even-handed, to be seekers after truth; not part of the problem. The first part of any problem is to recognize and name it. As long as we don’t admit these issues exist, and have existed since this country was founded, we can’t address them. Isn’t it time to guarantee #civil rights to more than just white, male, wealthy individuals?

WHAT IS REAL?

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Novels represent the intersection between reality and fiction. What really happened? Is this novel a thinly disguised autobiography of the author? A biography of another person? Did those events actually occur?

Authors of literary fiction are more likely to be asked this question than authors of sci-fi, murder mysteries and fantasy. Mohanalakshmi Rajakumar, the Qatar author of An Unlikely Goddess, was asked if the events of her novel actually happened to her. I, too, have been asked if my literary novels are autobiographical. Though we would like readers to focus on the issues in the story, such a question is truly a compliment. People have connected to the novel on a visceral level.

It was once said of the western writer Louis L’Amour that if he wrote of a stream in a certain place, the stream existed. The Law and Order series on television boasts of ripping their episodes from the headlines. In my mysteries, I use extensive research to present reality in a fictional milieu. In Street Harvest, I take the very real issues of human trafficking and the danger in which street children live constantly and blend it with fiction as a way of highlighting these current issues to allow people to connect on an emotional level.

Reading a powerful book can change our lives.

Since I write to not only entertain, but to also enlighten and empower; and to ultimately make a positive impact on our world, it is important for people to emotionally connect with my work. I love hearing such comments as “I want Grandma Greene for my grandmother.” The greatest compliment I have ever received was from a young person who said Good Intentions helped him to deal with being adopted and to forgive the fabrications of his adoptive parents.

A good writer knows that verisimilitude–details that lend the appearance of being true or real; what has happened to real people–increases the authenticity, the believability of her work. As such, it provides a more satisfying read and, in some cases, tidbits of knowledge.

While the cities and mountains and issues are often ripped intact from real life, the protagonists, antagonists and other characters within the novel–the good people and the bad people–seldom resemble any one person, living or dead. An author gleans characteristics, traits, eccentricities, and manner of facing life from a wide variety of people then builds the character from specific ones that will allow the story to unfold in a logical and entertaining way. The reader is guaranteed to “see” Uncle Jack or Aunt Milly in at least one of the characters, and therefore more likely to connect on a visceral level with the novel. In the end, it always returns to the reader–what will enhance the experience of the novel for the reader? What will give the reader the most value for her/his time and money?

The fiction I most enjoy reading incorporates reality with fiction to provide entertainment, enlightenment, and empowerment. It is also the type of fiction that I write.

I have tackled the tough, and sadly all too real, subjects such as family secrets, homophobia, racial tensions, hate crimes, betrayal, loss, grief, pedophilia, rape, domestic violence, street kids, human trafficking and much more in both my literary and my mystery novels. Yet, in each novel I have shown how people can triumph over horrendous circumstances and rise to live worthy and good lives. Much of my inspiration comes from real people I have known; people I have admired. Those people were ordinary people who quietly lived extraordinary lives.

So, what is real? The reality is that authors draw from real life, whether we write sci-fi or literary novels. We take what’s real and shape it into a novel. We write of love and hate; joy and sorrow; triumph and despair.

Do you identify with the characters in novels? Would love to hear! Please, comment.

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Mohana’s An Unlikely Goddess (ebook) is on sale for $0.99! Go to http://www.amazon.com/An-Unlikely-Goddess-Mohanalakshmi-Rajakumar-ebook/dp/B00FVSP82Q

To see a list of my novels go to http://www.amazon.com/author/ayawalksfar

YOU PROMISED!

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I just read an interesting thriller; true, there were some commas missing and a few words that were either wrong or missing, but all in all, a solid story. Since I’ve recently read a couple of very well-known authors who also had commas and words missing, I decided to give the errors a pass. After all, I was still interested in who won.

All the way up to the end, that is. The end that wasn’t the end. A non-ending. A favorite ploy of some authors. A surefire way to discourage me from ever again reading anything they write.

The sad thing about this book and its author: the author didn’t have to do that to get me to purchase the next book. I wanted to know what happened to these people and there had been enough doubt thrown on their happily ever after to make me think another adventure might be in the cards. If only the author would’ve stopped with the couple happily ensconced in their new home.

The last few pages that made the ending a non-ending would have worked remarkably well as the beginning of the next book–the book blurb could’ve drawn the reader in with the knowledge of this couple’s peril.

When I pick up a book, I am making a contract with the author: here is my time–very precious–and my money. In return, I expect a novel that has a distinct beginning, middle and end. Not one that says “to be continued.”

Such a ploy makes me feel that the author has no faith in their own writing being strong enough to pull the reader back to them. Or perhaps they don’t believe in the strength of the characters they’ve drawn; that the challenges faced by these imaginary people would keep a reader interested enough to put out more money to read the following book.

There are many ways to do a series. Kay Hooper does a great job in that each book is a complete novel with the requisite beginning, middle and end. However, she has constructed enough interest in the people who populate the Bishop series and the Haven series, that I am willing–and happy–to put out money for the next installment on their lives. Each book of Ms. Hooper’s Bishop series can be read as stand-alones. In fact, I first discovered the series with the fifth book in. I went back and purchased the other four books.

Patricia Briggs’ wonderful Mercy Thompson series allows the option of reading the books as stand-alones. They are, however, more fun to read from book one to the latest release as the characters develop over the different books.

In my own series, The Special Crimes Team, each book can be read as a stand-alone–each one has a distinct beginning, middle and end. A new reader can start anywhere in the series as each book supplies the necessary backstory–much along the same lines as Ms. Hooper and Ms. Briggs– to fill in where needed. It is, however, more satisfying to read the series starting from book one and continuing to the latest release because the characters change and develop from one book to the next.

When I release a novel, I am implicitly offering a contract to the reader who picks it up: In exchange for your time and money, I promise that I have written and delivered a complete story.

If an author wishes to release a book that is not complete, then it should be designated as Part One; or, perhaps in the description, the author could write: “this story is to be continued in Book Two.” With such a simple device, the author could uphold their implicit contract with the reader: here is as much of the story as I am going to give you right now.

When an author does this, however, it would behoove them to have the next book ready to be released within months. If I am willing to give my time to read part of a story, then I expect the next part, and the ending, to be forthcoming quickly. A few months is all the time my patience will allow. Also, as I read up to five books a week, the storyline would soon be forgotten amid other storylines. I would have little interest in re-reading the first part simply so I could read the next part and have to wait for the ending, yet again.

Do you, as a reader, feel shortchanged when an author has a non-ending? Would appreciate your comments. Please, comment below.

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COMING THIS JUNE! BACKLASH, BOOK 4, SPECIAL CRIMES TEAM This week I will release the first draft of the Backlash cover on my facebook. Come on over and check it out! http://www.facebook.com/ayawalksfar or http://www.facebook.com/AyaWalksfarAuthor

BACKLASH, BK 4, COMING SOON!

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BACKLASH!

Chapter 1

On the day that Ellen Delaney’s carefully constructed world shattered, she crossed December first off the desktop calendar, signed off her laptop and placed it in its black leather satchel. With the satchel set to one side, she removed the Gucci handbag from the deep drawer on the right side and pulled a small hand mirror and a tube of mauve lipstick out of the makeup tote.

Lipstick carefully applied, she dropped the tube back in the tote. The reflection staring back from the mirror showed dove gray eyes looking back from a heart-shaped face. For a woman staring at forty, she had aged well. A few light laugh lines at the corners of her eyes and a few silver strands threaded among the fall of midnight wavy hair. Her five-foot-five slender body moved with grace and style, whether clad in business suits, workout clothes or designer jeans.

A chill rain tapped lightly at the office window as she put the mirror away. A glance at the diamond-studded wrist watch had her slipping into the suit jacket hanging on the high back of the deep-red leather office chair. A quick look around assured her that everything was tidy.

The obsession with tidiness grew from the untidy things that had happened to her; the same things that had made her choose a career in Women’s Law. Such things happened to women all the time. The law could be used to tidy up a woman’s life; to make it easier; safer.

Purse and laptop satchel shouldered, her heels clicked a staccato beat across the high gloss floor. Keys jangled in one hand though a keycard worked the lock on the office suite. She strode across the carpeted reception area, stepped out of the beveled glass door. An alarm keypad hung unobtrusively on the wall to the left of the door. Code punched in, the green light flashed.

Redundant locks–the office suite, the elevator stop on the sixth floor, the exterior door to the building and the security guard at the gated garage entrance–enhanced a feeling of safety. During this past year, a sense of safety had become critical.

The law had a few drawbacks; some shortcomings. It could only function within a set parameter of evidence and argument. If only she could obtain incontrovertible proof….

The rustle of her suit and the tap of heels on the hall tiles echoed in the silence of the sixth floor at six p.m. This close to the Christmas holidays the occupants of the other offices in the ten-story Bell Town building had left earlier than normal.

The elevator hummed to a halt and its doors swished quietly open. She stepped inside the glass and chrome box and fed the keycard into the slot then hit P1 for the parking area.

Keys in hand, finger on the button of a canister of pepper spray, Ellen left the confines of the elevator and started across the well-lit parking garage. A couple of feet from her Cadillac ESL she thumbed the key fob. Headlights blinked signaling that the doors had unlocked. She swung open the driver’s door, set the laptop satchel and purse on the passenger seat, slid in quickly, clicked the seat belt and drove to the exit.

Since she owned the building, she’d set up the security routine. The high-risk occupants of the offices–wildly successful attorneys who landed on hardcore hate lists, a hard-hitting journalist whose name had made the drug cartels hit list and others whose careers increased their jeopardy–appreciated the extra layer of safety.

Simon Getting, retired Marine sergeant, walked around her car, shining a light in the back seat and peering in the front. Finally, he stepped to the driver’s side rear quarter panel and waited for the trunk lid to be opened. He inspected the trunk, slammed the lid and walked back to the security booth. “Have a nice evening, Ms. Delaney.”

She eased out of the gate and onto the street. Tonight a drive to Olympia and a late dinner at the Governor’s Mansion with Governor Andrea Marleton. A smile crossed her lips. Governor Marleton–she’d been so proud when Andrea took the Governor’s Mansion.

Andrea’s insistence on meeting tonight had impinged on other plans, but it had been for the best. What had she been thinking? It was dangerous enough that he knew about her friendship with the governor; that had been inevitable. At least, a circle of protection surrounded Andrea.

No one else’s life could be put in jeopardy. Dinner with Andrea to discuss the Notable Women in Law Award that she’d won made a good excuse to break the date with Celeste. Tomorrow the next step–dropping her gym membership.

At a time when she should be reveling in her achievements, planning future successes, she knew there would never be any future successes. Not unless she found a way to stop him.

Bittersweet that her greatest achievement had so enraged him. She’d never dreamed of winning such an prestigious award; a white trash girl from the wilds of Montana. No one would ever know that part, though. Those Libby, Montana roots had been deeply beneath stories of a head-on collision that allegedly–and conveniently–killed her parents right after she graduated high school.

They remained deceased to everyone, including herself, except for one day each year. One day that she drove hours to experience. What would happen if she failed to show this year? She forced the troubling thought away.

The mansion would be decorated for the holidays. She enjoyed that sort of thing, but had no desire to do it. For a moment, she wondered why Andrea had never married. Must not have found that special someone.

She’d given up on finding a special someone; accepted that one-night stands would fill the years. A short, bitter laugh burst out. Two years ago, everything she’d ever dreamed of had been within her grasp. Within months the dream had been shattered. She’d had a taste, though; enough to feel the ache of losing it.

Several times she’d come close to confiding in Andrea. Each time some hand of caution had clamped across her lips. Too bad that same caution hadn’t been there with Celeste. Determinedly, she locked away those melancholic thoughts. I will savor these hours with my best friend. I will not think sad thoughts.

Two point three miles from home while she hummed along with the haunting sound of Enya, a dark van shot out of Kelly Road, one lane of hard-packed dirt that served two houses back in the hill. It smashed into the back quarter panel of her car. Airbags deployed as the car spun. The steering wheel whipped in her hands as she fought it and the airbag. The front tires left the asphalt and bit into the soft side of the ditch, wrenching the wheel free from her white-knuckled grip. For a moment, her heart pounded with hope as the car teetered on the edge of the ditch. Then the wall of dirt gave way and the car slid sideways. It came to rest tilted nearly perpendicular to the roadway above. Groggy from being hit by the air bag and jerked this way and that way, she reached up and touched her forehead. She pulled her hand down in front of her eyes and stared blankly at the slick red on her fingertips. Her mind felt as sluggish as molasses on a bitter winter’s morning.

Blindly patting the passenger seat, she searched for her handbag and cell phone. The driver’s side window burst inward, sprayed her with rounded bits of shatterproof glass. An arm reached in and clamped a stinking rag across her face.

Ellen rolled to one side just in time to heave. Yellow bile spilled in a small puddle on the rough plank floor. Eyes cracked open a slit, the dull daylight caused her head to pound. She squinted her eyes and tried to scan her surroundings. None of it made sense.

She inventoried herself: black ski jacket, faded blue flannel shirt, no bra, black ski pants with a rip in the right knee where blue denim showed through. A faded black sleeping bag lay beneath her. She wiggled her toes. Felt like they were encased in wool socks within the heavy leather boots that had cracks across the toes. A little bit itchy, but she felt grateful to have the socks. Her breath clouded in front of her.

Then she saw the shackle. A dull steel chain anchored to the floor snaked across the sleeping bag and latched onto the dull steel cuff snapped around one leg just above the top of the boot. Where the hell am I?

Heart pounding, she forced herself to scan the space around her, though spears of pain shot through her head. A room. Not a very large room. Some kind of opaque white material over the only window. Light seeped through, but no way to see through it. No furniture. What the hell happened?

The last memory was… a truck of some kind roaring out of Kelly’s Road. Then… bile rose up the back of her throat. She swallowed hard. Black, someone all in black. Couldn’t see anything, except his light colored eyes. Oh, God! What kind of maniac has me?

Chamberlain, it had to be Chamberlain. Nothing else made sense. Why didn’t I see this coming? Should’ve known he’d pull something like this. There had been plenty of warnings. Why didn’t I pay more attention? Why didn’t I do something! For Christ’s sake, why didn’t I simply leave? I had the money to leave, to start over, but no, my stupid pride refused to let him chase me away from my home, my practice. Now look where I am.

Her stomach heaved again and she barely cleared the sleeping bag before the bitter bile spewed out. Flopped back on the sleeping bag, arm over her eyes, tears leaked down the sides of her face, leaving icy tracks.

None of it had mattered. None of her work had made any difference at all. She’d gone full circle. Back to what she had fled.

See all of the Special Crimes Team books at http://www.amazon.com/author/ayawalksfar

Check out places mentioned in the books at http://www.pinterest.com/ayawalksfar

JUST FOR YOU!

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I love to read. Of course I would love to read…after all, I am a writer. What I love even more than reading is to share stories.

Give you a little background:

Both my mother and grandmother were oral storytellers. I spent hours at their feet listening as they transported all of us to another time and place.

At age fourteen, I had my first brush with being published. A well-respected newspaper in my area accepted my heavily researched, five part series on racism in America. At age eighteen, a different well-respected newspaper published my researched, six part series on the child welfare system.

Since then I have written articles, short stories, poems, non-fiction self-help manuals, an award-winning literary novel (Good Intentions), and two internationally-selling crime fiction books (Sketch of a Murder and Street Harvest).

What does this have to do with you?

December 1 I will launch a brand new enterprise: a monthly newsletter. In this newsletter I will share special offers, announcements of upcoming events and books, inspirational images; and stories, poetry, character back stories, the motivation behind writing some of my novels, and glimpses into my personal journey as a writer.

I invite you to share in this new enterprise. Simply go to the book image beneath the heading JUST FOR YOU NEWSLETTER and click. Enter your email address and follow the steps to opt-in to my newsletter. Once you’ve signed up, you will receive a PDF of Sketch of a Murder, Book 1, Special Crimes Team series. This offer is only good from NOW through the month of December! Sign up now and get your FREE PDF of Sketch of a Murder!

Opt-in and enjoy the benefits of JUST FOR YOU NEWSLETTER. Remember, you have to enter your email address for the newsletter. Entering your email address to follow my blog will not put you on the newsletter mailing list.

If you already follow my blog, be sure to get on the mailing list for JUST FOR YOU NEWSLETTER! I don’t want you to miss out on some good deals and wonderful content.

If you haven’t already joined my blog, NOW would be a great time to do so! Just CLICK and FOLLOW!

To see all my books, go to http://www.amazon.com/author/ayawalksfar

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5 WAYS TO OVERCOME #HOLIDAY BLAHS

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5 WAYS TO OVERCOME HOLIDAY BLAHS

Holidays are difficult–whether you celebrate them or choose to ignore them; whether you love them or dread them. Stress is high, fuses are short, and even the happy anticipation of seeing those you love can feel overwhelming. And, of course, there are people coming and going and traffic snarls and …. you understand because you’ve felt it, too.

Here are five ways to beat the blahs:

That good book you’ve been wanting to read? Give yourself permission to take 15 minutes every day and simply sit somewhere quiet and enjoy your reading time. You’ll feel refreshed and better able to tackle all the holiday rush. Hey, have a cup of tea, hot chocolate or coffee while you read.
Some feelings just can’t be shared, not even with our bestie. Journal! You can use an ordinary tablet, a journal complete with fancy cover, or your laptop. Take fifteen minutes every evening and get all those feelings of frustration, worry, and excitement down on paper. Or on the screen. These jottings are only for your eyes. Do not share them or you will become self-conscious and journaling will lose its effectiveness for you.
Tension gathers in our muscles and in our stomachs. It creates aches and pains, and upset GI tracks. Exercise. Oh, I know… exercise is what you beat yourself into. Me, too. However, not this time. Let the exercise be any physical activity that makes you feel relaxed. This can be stretches, treadmills, slow walks, jogging around the neighborhood, getting all those old weed stalks out of the flower beds, or power walking around the mall. You don’t have to assign a great deal of time; fifteen minutes will do at whatever time of day works best for you.
Take Vitamin B Complex. Stress, both good and bad, can use up Vitamin B Complex in your system. Vitamin B Complex helps battle stress. That’s why it gets used up, but we usually don’t get enough through our diets to make up for the extra needs around the holidays. You don’t even need fifteen minutes to do this one! (ONLY do this if you have no allergies to Vitamin B or your doctor does not discourage the use of Vitamin B. This is a suggestion of what might work; not medical advice or diagnosis!)
Every morning, or evening–your choice–write down five things you are grateful for. Try not to use the same five every day. You need to consider all the things that are positive in your life.

Some of the ones I am grateful for are: my health. I don’t have the absolute best health, but there are many who are much worse off than me. My work: My work is writing. It also happens to be my passion. For many years, responsibilities precluded me from concentrating on my writing. I am very grateful that I can spend time on it now. My dog: I am grateful for my dog. She brings a smile to my face and is there when I’m down. My home: I am grateful that I have a home and enough to eat. Some people don’t. My spouse: I am grateful that I have a spouse who encourages me in my endeavors. These are a few examples.

I am certain you have many things in your life for which to be grateful. Take those daily lists and put them in a manila envelope and put them somewhere safe. Whenever you’re feeling super stressed, cranky, or down, take them out and read them out loud to YOURSELF. It’ll give you a wonderful boost.

I chose fifteen minute increments of time to recommend as this is a chunk of time that is long enough to help, but short enough not to become impossible to set aside for just yourself.

Enjoy the holiday preparations and all the anticipation, but remember to take fifteen minutes every day to dedicate to you; to de-stressing. Remember, if you are stressed you cannot enjoy the moment. You deserve to take care of yourself.

Looking for a good read? Check out Sketch of a Murder, Book 1, Special Crimes Team

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4 IMPORTANT LESSONS

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Three days ago, last Saturday, I participated in Cross Creek Alpaca Rescue’s Holiday Bazaar. I planned to dash off a quick blog post about the experience as soon as I could access my computer at home. After some thought, I decided I wanted to take time to think about the bazaar and to write something real about the experience. Today I sat down at my computer and wrote.

As a local author, I had rented vendor space and a table from Cross Creek Alpaca Rescue for their Holiday Bazaar on Saturday, October 25th. Since my wife, Deva, and I didn’t want to make the long trip from Darrington, Washington to Tenino, Washington on the day of the bazaar, we stayed overnight at the Motel 6 in Tumwater that allowed pets. Nothing fancy, but the young lady at the front desk was friendly and the room clean.

Our older German Shepherd dog, Katrina, has been afflicted with Sundowner’s–a symptom of dementia–for some months now which is why she couldn’t be boarded like our other three GSDs. The change in routine and being so near the freeway, kept her awake and anxious most of the night; Deva graciously took care of the dog while I slept. Pixie and Mindy slept well, except when Katrina’s panting woke them.

Saturday dawned with scattered clouds. After feeding the dogs, Deva and I loaded Mindy, Pixie and Katrina into the backseat of the truck and headed to Tenino for the CCR Holiday Bazaar. On the way, we looked for a restaurant for breakfast. Nothing turned up until we hit Tenino and found Scotty’s ‘50’s style diner. The coffee was hot and plentiful, the water glasses stayed full and the food tasted great. Replete we made the last couple of miles to Cross Creek.

Weeks earlier, we had been involved in an alpaca rescue operation initiated by my 76-year-old sister, Lois. Deva had found CCR and Shari Bond and Jackie Glover had trailered to the rescue of 48 alpacas whose 84-year-old owner had died. Now, as we drove in we spied one of the alpacas, Leonardo, in the front paddock. The older male had been so starved down and loaded with parasites by the time Lois became involved in their care, that there had been talk of having to put him down. Shari and Jackie had worked a miracle. The poor old guy was walking without stiffness or pain; had put on a few pounds and seemed quite content. The four elderly female alpacas, Lady Jane among them, had settled into their forever home with CCR. They looked so content standing in the field with the other “girls”.

We parked and unloaded books and flyers. I set up my table–situated between Detricks’ Farm and Chicken Coop display of delicious and unique jams, jellies and pickles, and a table of beautiful handmade jewelry–while Deva made sure our dogs were comfortable.

A little later on, four spinners arrived, set up and began a spinning demonstration turning alpaca fiber into yarn. The wonderful smell of citrus and apples and cinnamon drifted through the building from the cider set to warming on the back table.

Throughout the day, people wandered in and meandered from table to table. I met and chatted with many readers. We talked about different authors, the different styles of writing and books we loved.

Dorothy Royce, a 90-year-old from California, visited with me for quite a while. What an interesting woman! When I learned she’d had a recent birthday, I autographed and gave her a copy of Sketch of a Murder, Book 1, of my Special Crimes Team series. Since she’d never had a Kindle, I fired mine up and showed her how to make the text bigger and some of the other features. The device was so lightweight that she had no problem holding it–she sometimes had trouble holding larger books while she read–and the built-in stand of my Kindle cover delighted her.

All day long, folks came by and talked for a while, tossed their name and addresses in the Giveaway jar for a chance to win my latest mystery, Run or Die, and purchased books. (Tracy Redmon and Aya)

(Christine Rose and Aya)

About halfway through the day, Deva brought out our Papillons, Mindy and Pixie, who immediately became people-magnets, charming everyone who glanced their way.

It was nearly closing time for the bazaar when Diane Vasarkovy stopped to chat. We talked murder mysteries for a while then we segued into talking about her own writing project: the story of Wolf Haven International. Here is part of the introduction to the work-in-progress: “We think it’s important to show how ordinary people, with a passion, even without knowledge or resources, can make a tremendous difference in the world. Magic can happen to people who follow their inner knowing…..Canis Lupus (the wolf) and other wild canines are in crisis in North American wild lands. In competition for habitat with human encroachment, they are unfortunately still seen as vermin by resource hungry people who can’t see the larger picture of our total eco-system. We now have proof that wolves change eco-systems for the better….”

Diane left with the first two books of the Special Crimes Team series, and I was left with a deep respect for her project.

At the end of the day, we packed up the remaining books and flyers and put the dogs back in the truck. A light rain fell as we left CCR. For the next few days, I thought about what I had learned during the bazaar.

I learned that readers are delighted to share ideas about the books they read and love; and it gave me new perspectives on books that I’d read.
I learned that connecting with readers recharged my “creative batteries” and renewed my determination to write the very best books possible; to honor the unwritten contract between reader and author: to write an entertaining story.
I learned how very interesting these readers are; how many are involved in important projects such as alpaca rescue and writing the history of Wolf Haven, International.
I learned, once again, how honored I am that readers invite me into their homes, into their lives. When readers open my novels and enter the fictional worlds that I create, they give me the most precious thing they have: their time.

I have designated November as my Attitude of Gratitude Month to My Readers. Sketch of a Murder, Book 1, Special Crimes Team, EBOOK is FREE on AMAZON from NOVEMBER 1 through NOVEMBER 5.

Grab your free ebook copy of Sketch of a Murder. Go to: http://www.amazon.com/Sketch-Murder-Special-Crimes-Team-ebook/dp/B00KU6AIPQ

Or use the Short link: amzn.to/1tBgqhx

For my listeners, the first ten fans who agree to write reviews on Amazon and Audible will receive a FREE download of the audiobook Sketch of a Murder DURING the month of NOVEMBER. Get your coupon code now! Email Aya at ayawalksfar@gmail.com In the subject line write “Will review audiobook for free download”

ALL of my books are available as print books. http://www.amazon.com/author/ayawalksfar

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Aya Walksfar, Author

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5 WAYS TO OVERCOME #HOLIDAY BLAHS

4 IMPORTANT LESSONS