Tag Archives: rape

Sexy #Vampire Novels from #Mystery Writer

How does a mystery writer wind up writing a sexy vampire series? Isn’t that a bit far off the beaten murder path?
Yes, and no. In my writing, I adhere to a specific underlying agenda.
Sketch of a Murder2 ebook
http://www.amazon.com/Sketch-Murder-Special-Crimes-Team-ebook/dp/B00KU6AIPQ

front cover artemis
http://www.amazon.com/Artemis-Warriors-Aya-Walksfar-ebook/dp/B0158NZ1L6

My agenda is to 1. entertain 2. enlighten 3. encourage and 4. empower women. Every novel I write must do these four things. (Those of you who know I am part Native American, probably suspected that there would be four–a sacred number–parts to my agenda! LOL!)

  1. Entertain: Every book I write–whether is a part of my Special Crimes Team mystery series or part of The Vampire Wars series or a stand alone literary novel–must first entertain the reader. Does it hook the reader? Can the reader identify with, and/or care about, at least one of the characters?
  2. Enlighten: What could possibly be enlightening about a mystery series or a vampire series?
    With each novel that I write, I attempt to challenge some long held beliefs or to bring some bit of knowledge to the reader. In Sketch of a Murder, Special Crimes Team, I shine a light on how the perpetrators of sexual violence against women and children all too often avoid prosecution or receive light sentences for their crimes. In Backlash, I highlight how ongoing violence and harassment is aimed at forcing women “back to the kitchen”. (I also highlight a practice among some police since 9/11 where they stop motorists and rob them of cash. True stuff! Read my past post on that. https://ayawalksfar.com/2014/12/03/cops-stealing-from-motorists/)
    In Artemis’ Warriors I explore creation myths and history from a matriarchal viewpoint rather than a patriarchal viewpoint. While some might feel this is blasphemy, there has been some evidence that matriarchal societies did exist in the far distant past. Granted this question is hotly debated. As is to be expected since no ruling class, including the patriarchy, willingly preach the history of the classes they rule over.
    We know from more recent history, that women have been largely erased from the historical narrative in many instances. Did you know that Margaret Hamilton was the Lead Software Engineer on the Apollo Project in 1969? (Follow this link to my Pinterest Board “Great Women” and see the Pin of Margaret Hamilton https://www.pinterest.com/pin/453737731188529025/ )
    Were you aware that Elizabeth Blackwell, born in 1821, was the first women to receive a medical degree in the United States? ( https://www.pinterest.com/pin/453737731181212469/ )
    If such recent history is missing from most textbooks, it is easy to understand why women’s ancient historical contributions might also be completely “missed”, or maybe deliberately forgotten.
    3. Encourage: Because I write of current issues, I validate those issues for women who are struggling with them. It is very discouraging for women to feel isolated; to constantly hear that what they are experiencing is only a figment of their minds. I bring issues forward so women know they are not alone; other women face these same issues. Some of the issues I write about in my Special Crimes Team mystery series are: women in the work place; sexual violence; age; and beliefs. In Artemis’ Warriors, Book 1, The Vampire Wars, I explore what it means to love; bonding between women; female sexuality; and, sacrifice.
  3. Empower: Every novel I write must in some way empower women; therefore, each book has a strong female protagonist, as well as other strong female supporting characters. It is well understood that what we read has an impact on our self-image. If women only read about helpless women who never direct their own lives and are forever victims, then that is what we internalize. Women need to see females as capable, intelligent, decision-makers so that our subconscious minds can integrate that into our views of what it means to be female. In the Special Crimes Team mystery series, Sergeant Nita Slowater struggles through her discoveries about herself while trying to find killers and rapists. Her major supporting female characters are Dr. Irene Nelson, FBI profiler, and Dawn Samira, lesbian investigative reporter. In Artemis’ Warriors, Book 1, The Vampire Wars series, Serena Longer struggles with her heart while fighting invading vampires who want to turn humans into blood cattle. Her major supporting female character, Alexis Night Runner, is also the cause of Serena’s soul searching about love.

Have you read one of the books from the Special Crimes Team series, The Vampire Wars series, or the stand-alone literary novels? If so, would love to hear from you. Leave a comment or email me at ayawalksfar@gmail.com !

UPCOMING BOOKS!
Beyond the Silence: Available for pre-order http://www.amazon.com/Beyond-Silence-Aya-Walksfar-ebook/dp/B01ADRQ0K8 Release date: Feb. 14, 2016 ecoversmaller (2) Beyond the Silence
Death by Dog, A Special Crimes Team Novel: Coming April 3, 2016! DBDCover(1)

A GIFT TO MY READERS

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SKETCH OF A MURDER
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LIMITED TIME: FREE EBOOK!

STREET HARVEST, BOOK 2, SPECIAL CRIMES TEAM WILL BE FREE ON AMAZON UNTIL DECEMBER 7TH! GRAB YOUR COPY NOW!
http://www.amazon.com/dp/B00KVREDIC
Human traffickers abduct children to feed a 35 BILLION DOLLAR PER YEAR industry. Children are raped, sodomized, tortured, murdered.
IN the United States, a child goes missing every 40 SECONDS. STREET HARVEST is their story.
What do the bodies of two young children have in common with the murders of two adult men?
Eleanor Hasting, a black bookstore owner and child advocate, knows these killings are linked. She must convince Lieutenant Michael Williams, head of the Special Crimes Team.
Psychic Jaimie Wolfwalker, is prepared to do whatever it takes to locate and rescue the missing street children. The law be damned. Jaimie’s attitude and methods place her on a collision course with Sergeant Nita Slowater, second-in-command of the Special Crimes Team.
Four dedicated people struggle to come to terms with each other in their desperate search for clues. Every day brings more missing children, more young bodies. Can they stop the monsters before another child disappears?

The Story Behind Sketch of a Murder

No matter how dark
In 2013, I wrote Sketch of a Murder, Book 1, Special Crimes Team. I write novels that have been ripped from the lives of women.
Sketch of a Murder exposes the horrendous truths around the #sexual #assault of women and children in the United States. Perpetrators often walk away from prosecution and justice.Even those who are convicted may only serve three years for forcible rape.
Many victims do not report sexual assault.
–They fear the perpetrator will return and harm them. Something that perpetrators often threaten to do.
–The victim does not want to make a private matter public. This is especially true if the perpetrator is a boyfriend, a husband or ex-husband, even someone they simply met and had a drink with.
–The victim is worried that she will be blamed for what happened or that she will not be believed. This is frequently the case when victims actually follow through with prosecution. They are questioned about their sexual histories, why they were in that particular place at that specific time, and so forth. Some cops grill women and girls who report rape in much the same aggressive and offensive manner. Women are often told it is their own fault that they were assaulted.
–The girl or woman feels ashamed and/or feels guilty and/or is embarrassed. A strong element of personal shame, guilt and embarrassment for the victim is a factor in every sexual assault crime.
There have even been public debates about whether the crime of #rape actually exists or if it is an “attempt by women and girls to gain special privileges.”
As a past victim of the violence of attempted rape–12 attempts during my life–I understand the well-founded hesitation of women and girls to subject themselves to the process of attempting to prosecute the perpetrator.
One of the attempts on me included the perpetrator’s use of a straight razor. When I reported that crime, the police took me to the station and after leaving me to “stew” in a room alone they finally came in and aggressively questioned what I had been doing walking around alone after dark.
I finally lashed out and told one detective that “I have the right to walk where and when I please; the attempted rapist is the one who should not be allowed freedom to walk around the city.”
In response to my declaration, one detective openly questioned whether or not a crime had actually occurred.
I held up my hand and sarcastically said, “I’m not into self-mutilation. I did not slash my own hand open.”
Is it any wonder that rape is the most UNDER reported crime in the United States?
In Sketch of a Murder, I bring these stats to life. The Avenger, a serial killer who stalks and tortures men who have skated justice, sets up a Court of God’s Justice and questions the men about their crimes and then hands down “justice”.
The “reasoning” put forth by the perpetrators is, unfortunately, all too indicative of the thought processes of males involved in rape. In my other life, I have listened to such men give those arguments about how it’s not their fault and besides, the girl/woman “asked for it.” (Yes, those were the words used by one man).
And what of law enforcement–the real good people; the ones who want the rapists to pay for their crimes? In Sketch of a Murder I explore the dilemma faced by law enforcement officers who must stop a killer whose mission they may secretly applaud.
Just to give you some idea about the enormity of the crime of rape below are some statistics. Please,keep in mind that rape is a seriously UNDER REPORTED crime:
—67% of sexual assault victims are under 18. More than half of this number are under 12 years old.
—95% of rapists are male
In the state of Washington, First Degree Rape is considered a Class A Felony–the worst felony possible under law, yet a rapist may only get three years in prison for forcibly raping a woman or a child. A person is guilty of First Degree rape when such a person engages in sexual intercourse with another person by forcible compulsion where the perpetrator or an accessory:
—uses or threatens to use a deadly weapon or what appears to be a deadly weapon or
—kidnaps the victim or
—inflicts serious physical injury including but not limited to physical injury which renders the victim unconscious or
—feloniously enters into a building or vehicle where the victim is situated.
In Washington State, a rapist who is convicted of Class A Felony rape may sue for and receive access to the any child produced by his violent act; thereby allowing him future access to his victim’s life, and a future way to manipulate, control, and emotionally and physically harm his victim.
In Washington State in 2013 there were 13,442 primary victims of sexual assault and 6,252 secondary assault victims.
33% of women in Washington State have been sexually assaulted. And, 20% of this number have been the victims of multiple assaults by different offenders.
Only 25% of the women who suffered physical injuries sought medical assistance and only 33% sought counseling. (I was never one of those who sought medical assistance or counseling. I simply could not afford it. Fortunately, I was raised in a matriarch where rape was considered a crime of violence–rightfully so–and the rapist was the only one blamed.)
Somewhere in America, a woman is raped every 2 MINUTES
43% of lesbian and bisexual women, and 30% of gay and bisexual men reported having experienced sexual assault.
34% of Native American and Alaskan Native women experienced an attempted or completed rape
19% of African American women have experienced an attempted or completed rape
18% of Caucasian women have experienced an attempted or completed rape
7% of Asian American women have experienced an attempted or completed rape
83% of adult females and 32% of the adult males who are developmentally disabled have been victims of sexual assault
Disabled women are raped and abused at a rate of at least twice that of the general population of women.
light in darkness

IF you or someone you know has suffered from sexual assault, YOU ARE NOT ALONE! PLEASE go to: http://www.wcsap.org/find-help This website is the Washington Coalition of Sexual Assault Programs. You will find a list of places to go to for help! PLEASE, make use of these services.
creator's child

5 REASONS TO MEET CAS REDNER

http://www.amazon.com/Hard-Road-Home-Aya-Walksfar-ebook/dp/B00TLCRUFQ
Hard Road Home Front Cover
The Story Behind Hard Road Home
Many times those charged with keeping troubled kids safe become their worst nightmare. Already feeling as if they are broken, the child believes s/he is at fault for the adult’s abusive behavior. Abuse by the foster parent, or other authority figure, confirms this belief: it must be their fault since more than one adult abused them. They must’ve “asked for it”; or, somehow “provoked” the assault.
Such beliefs coupled with low self-esteem program the child to act in ways that mark her/him as a victim. Perpetually trying to please, and always failing. The cycle of abuse repeats itself, over and over, with different abusers.
After aging out of the social services system,this learned hopelessness continues to haunt the young person. Often s/he drops out of school, and can’t find a job with a living wage. In economic desperation and emotional neediness, s/he moves in with an abuser. Her/his self-esteem and economic position works to keep them locked into the unhealthy relationship.
Either introduced to alcohol and drugs by the abuser as a way to further control over the victim and to undermine self-esteem/self-confidence, or discovering the awesome numbing effects on their own, the victim becomes addicted. Addictions lead to deeper feelings of inadequacy and further confirmation of worthlessness.
Having never learned to relate to others in a healthy way, s/he cannot accept that anyone would want to befriend her/him if s/he wasn’t sexually pleasing and easily available. Relationships with adults during childhood have confirmed this reality in the victim’s mind.
Many young people die trapped in this cycle of never-ending abuse.
Hard Road Home goes beyond the tragedy of such children. When people read Casanita Redner’s story,Hard Road Home,five things will remain with them:
1. This story is based upon facts, though I have fictionalized the account to be able to concentrate on clarifying the message. Like Cas, however, there are young people who have found the strength to fight free of childhood sexual abuse. Remember: No matter how dark
2. Adults, whether central or peripheral to the child’s life, can in fact aid the child in laying a foundation that will allow her/him to escape this vicious cycle of abuse. In Hard Road Home, Cas receives these building blocks for a stable foundation from her grandfather, her grandmother, and other healthy adults she meets along the way.
3. Every adult has the responsibility to become aware of victimization of children, and to work–in whatever capacity that they can–to end it. Whether you are an educator, an author, a doctor, a counselor, a social worker, a foster parent, or a neighborhood adult you can make an impact.
Journey you make
4. Child victims are NOT responsible for the crimes against them, regardless of how they dressed, walked, talked, or acted. Children are worthy of true friendships and deserve healthy relationships.
5. If you have been a child victim, I am here to tell you: you can break free. You have the right to build a good life for yourself. You are lovable. You deserve people in your life who value you. Believe in yourself! You are worth it!
PurposeAndBeauty
Are you one of the adults who help shine a light for young people during a dark night? Are you a survivor of childhood abuse? Please leave a comment.
You can always reach me at ayawalksfar@gmail.com

The Birth of a Book

In the unheard screams that rip the fabric of the night, in the silent tears of a victim huddled in upon herself in the corner of her own kitchen, Sketch of a Murder was born.

Domestic violence and rape are patterns of behavior used to establish power and control over another person through fear and intimidation, often including the threat or use of violence.

Once the first seeds of an idea are planted, I begin to research. What I found in the case of Sketch of a Murder was:

One in four women experience domestic violence in their lifetimes.

4 MILION women experience physical assault and rape by their intimate partners  http://www.safehorizon.org/page/domestic-violence-statistics–facts-52.html?gclid=CJ6k76f9rcUCFYeEfgodUwYACA

The number of women murdered by current or ex male partners between 2001 and 2012 were 11,766. During that same time period, the number of American troops killed in Afghanistan and Iraq were 6,488.

http://www.huffingtonpost.com/2014/10/23/domestic-violence-statistics_n_5959776.html

FBI Statistics for 2013 for Washington State:

Forcible rapes in seven cities: (these are the ones actually brought to trial. Until conviction, they are only considered alleged rapes) 657.

Rape and domestic violence are among the most under-reported crimes. Frequently, women internalize the blame for being beaten and sexually assaulted. Shame and a sense of hopelessness; a fear of the abuser increasing the abuse; a fear that there is no way to escape; fear of reprisal against them or their family, seals their lips against reporting the crimes.

When the crimes are reported, the woman often finds herself grilled as if she is the perpetrator–what did you do to anger him; why were you wearing that slutty dress; isn’t it true that you’ve slept with other men; how many other men; how long did you know X before you invited him to your home; and the interrogations go on and on.

If the crime does go to trial, the woman’s ordeal is increased. She is placed on the stand and forced to testify to humiliating and painful memories in a hostile environment. She is cross-examined as if she is the defendant. Evidence can be difficult to collect or has been contaminated; the woman waited too long to report the crime; the woman’s character is put on trial; the trial becomes a “he said–she said” fiasco. Technicalities and good attorneys allow men to smile as they walk away unscathed after perpetrating horrible crimes that will scar their victims forever.

With research as a foundation, I begin a process of creative “what-ifs”. What if a person decided to take justice into their own hands? What motivates a person to seek violent revenge? What type of personality would such revenge require? What type of training would a person need to be successful? What type of tools would that person have to use?

From this process, the Avenger sprang. In Sketch of a Murder, the Avenger has been triggered by a life event to exact justice. After the first murder, the Avenger goes on a spree of gruesome killings. The Avenger, however, doesn’t simply pick guilty men who have skated on serious charges; the Avenger wreaks havoc among wealthy men who have used position and power and monetary advantage to walk free.

Now that I have the antagonist–or the bad person and that person’s motivation–I must decide who will oppose this person and why; who will be the protagonist.

Some crimes are far reaching enough to warrant the formation of a Task Force. Again the creative “what-ifs” are employed. What if a task force is created by the governor because the Avenger has eluded multiple police forces and the deaths of wealthy men negatively impact her position? What if the task force is not constrained by jurisdictional boundaries within the state? What if the best cops for that force are misfits, cops that have ticked off a superior because they refused to toe the blue line? What special attitudes and abilities would they bring to the story? What conflicts with each other would such renegade team members face?

The Special Crimes Team was born from the governor’s desperation to find and stop the Avenger. Purely a political move, or was it?

All books need a place of occurrence. Whether that physical place plays a large or a small part in the story depends upon the story. The state of Washington is blessed, and cursed, with features that attract the best of people, and the worst of people. Mountains, wilderness, farmlands, big cities, airports, seaports, railway stations, high immigrant and migrant worker populations, a diverse and mobile population, a down turn in the economy that resulted in foreclosed and abandoned homes, proximity to another country’s border and a general attitude of live and let live makes this state a haven for human traffickers, dog fighters, kidnappers, and other criminals who need unlimited places in which to blend and/or to use to escape. Blessings

With those elements–the crime, the antagonist, the protagonist, the scene and some of the complications–in place, the work of writing begins.

The first draft is written without concern for grammar, punctuation, or even logic and timelines. It is the story in the rough. After the first draft comes multiple drafts, each one refining the story, further developing the characters, fleshing out the scenes, fine tuning the dialogue, checking and fixing the timeline; and, reassessing the logic and the story arc. When I decide the story is finished, I begin editing. After I edit as much as I can, I send the work to others to edit. When that work is returned, I read the feedback and evaluate what changes must be made.

After editing, Beta Readers are engaged to comment on the story as readers–did it hook them; did the dialogue sound real; were the situations believable, and so forth. With that feedback, I make final corrections then send the book to the publisher.

The publisher obtains a cover, formats the book and puts the package together for presentation to the public. And, a book is born.  Sketch of a Murderebook 7 30 2014

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KKK in BLUE

The KKK in Blue

light in darkness It is sad to say…that time is now.

I am about empowerment of #women and girls. I don’t talk about politics, much, or religion. When I do, I try to be even-handed. Well, the time for that is past.

After a lifetime of fighting for justice on several fronts, I had to step back from fighting the power structure because the fires of that struggle nearly consumed me. I had to learn to let go or die. Literally.

But it is time to weigh in on the events unfolding in the United States. These events are not surprising to me. It has never been safe to be a minority, nor has it ever been safe to be female, in what is supposed to be the free-est country in the world.

The strides we have made have been as much illusion as reality. Yes, a woman can now head a huge corporation and make a million dollars, but she can’t walk down a dark street safely nor does she have the sole right to govern whether or not she chooses to remain pregnant. She is harassed on public transportation; she is molested on airplanes. Women who are raped and have a child as the consequence of that rape can be forced, in 31 states, to allow the rapist access to her child.

Yes, black people can go to any school, if they have the money, but they can’t go jogging with assurance of safety nor can they gather to protest an injustice without fear of excessive #police force.

Women are still portrayed by the media in sexual ways; actresses asked about what they wear and their extra pounds while actors are asked about the parts they played and the stunts performed. Blacks who gather to protest are labeled thugs and rioters. Whites who destroy cities over a sports game are labeled drunken revelers and given a wink–it’s all in fun and high spirits.

Women can go to college, but they can’t safely attend a college party. If they have sex with more than one man, they’re whores and skanks. Blacks can go to college, but they can’t bike across the park. In Eastern Washington, God help you if you are #Latino or Mexican or Mexican American. You might as well paint a target on your back. If you’re #Native American, the bad news is–genocide is alive and flourishing under the guise of police power.

Are we seeing a pattern here?

Words are powerful and it is high time that the media be called to account for their biased reporting–and total NON-REPORTING of white and of male crimes against #minorities–racial and sexual. If you are male and white, you are right. If you are black, get back. If you are female…you be humble and grateful and for God’s sakes, look good! If you are a sexual minority, God help you. You are beset on many sides. If you are a white young male and murder women because they don’t want to date you, you are troubled. If you are black and accused of stealing tobacco products, you are criminal.

We are struggling for basic civil rights that are, supposedly, guaranteed to all Americans. When are white males–REGARDLESS of age or career–going to be called to account by the media and by the justice system? When are we going to admit and stop the Ku Klux Klan in Blue? When are the streets going to be made safe for women and LGBTQ and racial minorities?

If a cop sees another cop do something illegal, the first cop’s duty is to PROTECT the CITIZEN regardless of that citizen’s color, race, religion, sexual orientation or gender. It is not to cover it up, but to stop it! When a man sees a woman being harassed, the man’s duty is to stop it! When a white sees a black attacked, the white’s duty is to stop it! When a woman sees someone being harmed, the woman’s duty is to stop it! We may not be physically able to stop it, but we can call for help. We may not be physically able to stop it, but as the media we can tell the truth–for a change!

Words are powerful and it is the media’s DUTY to be even-handed, to be seekers after truth; not part of the problem. The first part of any problem is to recognize and name it. As long as we don’t admit these issues exist, and have existed since this country was founded, we can’t address them. Isn’t it time to guarantee #civil rights to more than just white, male, wealthy individuals?

 

 

85 MILLION CHILDREN ENSLAVED!

According to the Huffington Post, “Kentucky state Sen. Paul Hornback, who is also a tobacco farmer, was quick to write off any concerns that advocates may have about kids — as young as 7 — slaving away in tobacco fields.

“We’re raising a society that’s too soft,” Hornback told Bee. “Children need to experience things.”

Should forced labor as young as age seven, involving health hazards such as “… 12-hour days, no breaks and frequent cases of acute nicotine poisoning–” be part of the childhood experience not only in the United States, but worldwide?

Child labor is a grim reality with over 85 million children worldwide enslaved and forced to labor under horrendous conditions. Human trafficking helps feed the monster of child slavery by stealing children from their homes and streets. The United States is not immune. Children slave in Virginia and Kentucky’s tobacco fields.

My novel, Street Harvest, Book 2, Special Crimes Team, addresses the plight of stolen children. Now, Axel Blackwell’s Sisters of Sorrow tackles the horror of child labor. When Axel approached me about the possibility of reviewing his work, I let him know that I only post about novels that entertain, enlighten and empower women and girls. He thought I might like the protagonist, Anna Dufresne. His book is well-written and presents an engaging story of how a young girl refuses to give up her dream of freedom. I’ll let him tell you about his new book.

axel blackwellAxel Blackwell, Author: Thank you Aya, for your kind words (review) about my new novel, Sisters of Sorrow, and for your invitation to discuss it here at your blog. You were one of the very first people, outside of my close family, to take an interest in this tale. I greatly appreciate that and am very happy to have the opportunity to share with you and your readers.

You asked how this story came to be… I wonder that myself, sometimes. I have wanted to write this piece for nearly two years, though I knew almost nothing of what would happen beyond the first fifty pages. I started with one scene very clear in my mind: Anna hiding in the shadow of a beached rowboat while the sadistic nuns hunt for her. The Pacific is behind her, the factory is exploding in front of her, and her only hope of survival is to follow the voice of a ghost into the cisterns below a ruined farmhouse. The rest of the tale grew from there, and it turned out to be one wild ride.

Anna’s journey starts with her lowest instincts – self-preservation, at all cost. The extremity of her circumstance has purged much of her humanity. As the story opens, she has been abandoned by her father. She bears an enormous load of guilt related to the death of her mother and infant brother. She is beat-down, terrorized, and traumatized by the cruelty of her guardians and by the brutal machinery she is forced to operate. Nearly all of Anna’s fire has been extinguished.

But that last glowing ember of hope proves to be just enough for Anna to cling to survival. She escapes the looming horrors of the factory only to rediscover her capacity for compassion, empathy, and love – traits that drive her straight back into the dangers she just escaped, and other dangers greater than she had ever imagined.

I didn’t set out to write a girl-power book, but I believe people (female or male) have vast reserves of strength available to them – if their need is powerful enough.  Also, a character who waits around for a strong man to come rescue her isn’t very inspiring.  I hope that this story is empowering and uplifting to whoever reads it. I wanted my readers to identify with Anna, to see her plight through her eyes. She hopes for rescue throughout her story, whether the rescuer be the witch disguised as a nun, or the voice that speaks to her though the walls, or her fellow-refugee Donny.  But in the final defining conflict, when there is no one left to stand between the evil and the innocent, Anna offers her own life to become that rescuer. This is a story of desperation and courage, and the power of the nobler instincts.

Sister of Sorrow bestsofarAs to Anna’s future, many adventures await. Anna still has much to discover about herself, and about the world of the witches and those who hunt them. I plan to write at least two more novels in this series, and likely a novella-length prequel as well.

Thank you again, Aya, for inviting me to your blog. As writers, we create ideas, images, sometimes entire worlds in the minds of our readers. Those creations influence the way our readers interact with the real world. Thank you for the positive and empowering message you present here. I am very happy to have had the opportunity to add my voice to that message.  I love hearing from readers. If anyone has questions or comments, please feel free to contact me at axblackwell@gmail.com Have a wonderful rest of your day 🙂

Axel Blackwell attempts to define reality through fiction and tease truth from tales. Also, he just tells stories. You will often find him in the woods, or on the shore, or sometimes in a book. He lives with his wife and three children near a misty bay in the Pacific Northwest.ocean and sisters of sorrow

To obtain a copy of Sisters of Sorrow, follow this link:

 http://www.amazon.com/Sisters-Sorrow-Axel-Blackwell-ebook/dp/B00VZO2242/

For more current news about child labor–over 27 articles published on April 27, 2015 by the Huffington Post–and how child labor affects the United States and what is being done about child labor go to http://www.huffingtonpost.com/news/child-labor/

To discover what other tough issues my novels tackle, go to http://www.amazon.com/author/ayawalksfar

 

 

 

 

WHAT IS REAL?

Novels represent the intersection between reality and fiction. What really happened? Is this novel a thinly disguised autobiography of the author? A biography of another person? Did those events actually occur?

Authors of literary fiction are more likely to be asked this question than authors of sci-fi, murder mysteries and fantasy. Mohanalakshmi Rajakumar, the Qatar author of An Unlikely Goddess, was asked if the events of her novel actually happened to her. I, too, have been asked if my literary novels are autobiographical. Though we would like readers to focus on the issues in the story, such a question is truly a compliment. People have connected to the novel on a visceral level.

It was once said of the western writer Louis L’Amour that if he wrote of a stream in a certain place, the stream existed. The Law and Order series on television boasts of ripping their episodes from the headlines. In my mysteries, I use extensive research to present reality in a fictional milieu. In Street Harvest, I take the very real issues of human trafficking and the danger in which street children live constantly and blend it with fiction as a way of highlighting these current issues to allow people to connect on an emotional level.

Reading a powerful book can change our lives.

somewhere dif Good Intentions

Since I write to not only entertain, but to also enlighten and empower; and to ultimately make a positive impact on our world, it is important for people to emotionally connect with my work. I love hearing such comments as “I want Grandma Greene for my grandmother.” The greatest compliment I have ever received was from a young person who said Good Intentions helped him to deal with being adopted and to forgive the fabrications of his adoptive parents.

A good writer knows that verisimilitude–details that lend the appearance of being true or real; what has happened to real people–increases the authenticity, the believability of her work. As such, it provides a more satisfying read and, in some cases, tidbits of knowledge.

While the cities and mountains and issues are often ripped intact from real life, the protagonists, antagonists and other characters within the novel–the good people and the bad people–seldom resemble any one person, living or dead. An author gleans characteristics, traits, eccentricities, and manner of facing life from a wide variety of people then builds the character from specific ones that will allow the story to unfold in a logical and entertaining way. The reader is guaranteed to “see” Uncle Jack or Aunt Milly in at least one of the characters, and therefore more likely to connect on a visceral level with the novel. In the end, it always returns to the reader–what will enhance the experience of the novel for the reader? What will give the reader the most value for her/his time and money?

The fiction I most enjoy reading incorporates reality with fiction to provide entertainment, enlightenment, and empowerment. It is also the type of fiction that I write.

I have tackled the tough, and sadly all too real, subjects such as family secrets, homophobia, racial tensions, hate crimes, betrayal, loss, grief, pedophilia, rape, domestic violence, street kids, human trafficking and much more in both my literary and my mystery novels. Yet, in each novel I have shown how people can triumph over horrendous circumstances and rise to live worthy and good lives. Much of my inspiration comes from real people I have known; people I have admired. Those people were ordinary people who quietly lived extraordinary lives.

So, what is real? The reality is that authors draw from real life, whether we write sci-fi or literary novels. We take what’s real and shape it into a novel. We write of love and hate; joy and sorrow; triumph and despair.

Do you identify with the characters in novels? Would love to hear! Please, comment.

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Mohana’s An Unlikely Goddess (ebook) is on sale for $0.99! Go to http://www.amazon.com/An-Unlikely-Goddess-Mohanalakshmi-Rajakumar-ebook/dp/B00FVSP82Q

To see a list of my novels go to http://www.amazon.com/author/ayawalksfar

BACKLASH, BK 4, COMING SOON!

BACKLASH!

Chapter 1

On the day that Ellen Delaney’s carefully constructed world shattered, she crossed December first off the desktop calendar, signed off her laptop and placed it in its black leather satchel. With the satchel set to one side, she removed the Gucci handbag from the deep drawer on the right side and pulled a small hand mirror and a tube of mauve lipstick out of the makeup tote.

Lipstick carefully applied, she dropped the tube back in the tote. The reflection staring back from the mirror showed dove gray eyes looking back from a heart-shaped face. For a woman staring at forty, she had aged well. A few light laugh lines at the corners of her eyes and a few silver strands threaded among the fall of midnight wavy hair. Her five-foot-five slender body moved with grace and style, whether clad in business suits, workout clothes or designer jeans.

A chill rain tapped lightly at the office window as she put the mirror away. A glance at the diamond-studded wrist watch had her slipping into the suit jacket hanging on the high back of the deep-red leather office chair. A quick look around assured her that everything was tidy.

The obsession with tidiness grew from the untidy things that had happened to her; the same things that had made her choose a career in Women’s Law. Such things happened to women all the time. The law could be used to tidy up a woman’s life; to make it easier; safer.

Purse and laptop satchel shouldered, her heels clicked a staccato beat across the high gloss floor. Keys jangled in one hand though a keycard worked the lock on the office suite. She strode across the carpeted reception area, stepped out of the beveled glass door. An alarm keypad hung unobtrusively on the wall to the left of the door. Code punched in, the green light flashed.

Redundant locks–the office suite, the elevator stop on the sixth floor, the exterior door to the building and the security guard at the gated garage entrance–enhanced a feeling of safety. During this past year, a sense of safety had become critical.

The law had a few drawbacks; some shortcomings. It could only function within a set parameter of evidence and argument. If only she could obtain incontrovertible proof….

The rustle of her suit and the tap of heels on the hall tiles echoed in the silence of the sixth floor at six p.m. This close to the Christmas holidays the occupants of the other offices in the ten-story Bell Town building had left earlier than normal.

The elevator hummed to a halt and its doors swished quietly open. She stepped inside the glass and chrome box and fed the keycard into the slot then hit P1 for the parking area.

Keys in hand, finger on the button of a canister of pepper spray, Ellen left the confines of the elevator and started across the well-lit parking garage. A couple of feet from her Cadillac ESL she thumbed the key fob. Headlights blinked signaling that the doors had unlocked. She swung open the driver’s door, set the laptop satchel and purse on the passenger seat, slid in quickly, clicked the seat belt and drove to the exit.

Since she owned the building, she’d set up the security routine. The high-risk occupants of the offices–wildly successful attorneys who landed on hardcore hate lists, a hard-hitting journalist whose name had made the drug cartels hit list and others whose careers increased their jeopardy–appreciated the extra layer of safety.

Simon Getting, retired Marine sergeant, walked around her car, shining a light in the back seat and peering in the front. Finally, he stepped to the driver’s side rear quarter panel and waited for the trunk lid to be opened. He inspected the trunk, slammed the lid and walked back to the security booth. “Have a nice evening, Ms. Delaney.”

She eased out of the gate and onto the street. Tonight a drive to Olympia and a late dinner at the Governor’s Mansion with Governor Andrea Marleton. A smile crossed her lips. Governor Marleton–she’d been so proud when Andrea took the Governor’s Mansion.

Andrea’s insistence on meeting tonight had impinged on other plans, but it had been for the best. What had she been thinking? It was dangerous enough that he knew about her friendship with the governor; that had been inevitable. At least, a circle of protection surrounded Andrea.

No one else’s life could be put in jeopardy. Dinner with Andrea to discuss the Notable Women in Law Award that she’d won made a good excuse to break the date with Celeste. Tomorrow the next step–dropping her gym membership.

At a time when she should be reveling in her achievements, planning future successes, she knew there would never be any future successes. Not unless she found a way to stop him.

Bittersweet that her greatest achievement had so enraged him. She’d never dreamed of winning such an prestigious award; a white trash girl from the wilds of Montana. No one would ever know that part, though. Those Libby, Montana roots had been deeply beneath stories of a head-on collision that allegedly–and conveniently–killed her parents right after she graduated high school.

They remained deceased to everyone, including herself, except for one day each year. One day that she drove hours to experience. What would happen if she failed to show this year? She forced the troubling thought away.

The mansion would be decorated for the holidays. She enjoyed that sort of thing, but had no desire to do it. For a moment, she wondered why Andrea had never married. Must not have found that special someone.

She’d given up on finding a special someone; accepted that one-night stands would fill the years. A short, bitter laugh burst out. Two years ago, everything she’d ever dreamed of had been within her grasp. Within months the dream had been shattered. She’d had a taste, though; enough to feel the ache of losing it.

Several times she’d come close to confiding in Andrea. Each time some hand of caution had clamped across her lips. Too bad that same caution hadn’t been there with Celeste. Determinedly, she locked away those melancholic thoughts. I will savor these hours with my best friend. I will not think sad thoughts.

Two point three miles from home while she hummed along with the haunting sound of Enya, a dark van shot out of Kelly Road, one lane of hard-packed dirt that served two houses back in the hill. It smashed into the back quarter panel of her car. Airbags deployed as the car spun. The steering wheel whipped in her hands as she fought it and the airbag. The front tires left the asphalt and bit into the soft side of the ditch, wrenching the wheel free from her white-knuckled grip. For a moment, her heart pounded with hope as the car teetered on the edge of the ditch. Then the wall of dirt gave way and the car slid sideways. It came to rest tilted nearly perpendicular to the roadway above. Groggy from being hit by the air bag and jerked this way and that way, she reached up and touched her forehead. She pulled her hand down in front of her eyes and stared blankly at the slick red on her fingertips. Her mind felt as sluggish as molasses on a bitter winter’s morning.

Blindly patting the passenger seat, she searched for her handbag and cell phone. The driver’s side window burst inward, sprayed her with rounded bits of shatterproof glass. An arm reached in and clamped a stinking rag across her face.


Ellen rolled to one side just in time to heave. Yellow bile spilled in a small puddle on the rough plank floor. Eyes cracked open a slit, the dull daylight caused her head to pound. She squinted her eyes and tried to scan her surroundings. None of it made sense.

She inventoried herself: black ski jacket, faded blue flannel shirt, no bra, black ski pants with a rip in the right knee where blue denim showed through. A faded black sleeping bag lay beneath her. She wiggled her toes. Felt like they were encased in wool socks within the heavy leather boots that had cracks across the toes. A little bit itchy, but she felt grateful to have the socks. Her breath clouded in front of her.

Then she saw the shackle. A dull steel chain anchored to the floor snaked across the sleeping bag and latched onto the dull steel cuff snapped around one leg just above the top of the boot. Where the hell am I?

Heart pounding, she forced herself to scan the space around her, though spears of pain shot through her head. A room. Not a very large room. Some kind of opaque white material over the only window. Light seeped through, but no way to see through it. No furniture. What the hell happened?

The last memory was… a truck of some kind roaring out of Kelly’s Road. Then… bile rose up the back of her throat. She swallowed hard. Black, someone all in black. Couldn’t see anything, except his light colored eyes. Oh, God! What kind of maniac has me?

Chamberlain, it had to be Chamberlain. Nothing else made sense. Why didn’t I see this coming? Should’ve known he’d pull something like this. There had been plenty of warnings. Why didn’t I pay more attention? Why didn’t I do something! For Christ’s sake, why didn’t I simply leave? I had the money to leave, to start over, but no, my stupid pride refused to let him chase me away from my home, my practice. Now look where I am.

Her stomach heaved again and she barely cleared the sleeping bag before the bitter bile spewed out. Flopped back on the sleeping bag, arm over her eyes, tears leaked down the sides of her face, leaving icy tracks.

None of it had mattered. None of her work had made any difference at all. She’d gone full circle. Back to what she had fled.

 

See all of the Special Crimes Team books at http://www.amazon.com/author/ayawalksfar

Check out places mentioned in the books at http://www.pinterest.com/ayawalksfar